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Heather Thatcher
Heather Thatcher
Born	3 September 1896; London, England
Died	15 January 1987 (aged 90); Hillingdon, London, England
Occupation(s)	Actress and dancer
Years active	1915–1955

Heather Thatcher (3 September 1896 – 15 January 1987)^[1] was an English actress in theatre and films.

Career

Dance

By 1922, Thatcher was a dancer. She was especially noted for her interpretation of an Egyptian harem dance. Her exotic clothes were designed in Russia. They featured stencil slits in the waist, trouserettes and sleeves. Her attire was billed as the boldest costume ever shown in Britain.

Theatre

Thatcher made her debut on the London stage in 1916 in The Girl from Cirro's at the Garrick Theatre, before going on to play the leading role in The Boy at the Adelphi Theatre. In 1923, she sang and danced in the musical revue The Beauty Prize at the Winter Garden Theatre.

In March 1924, whilst travelling to the south of France on a short holiday with the actor and comedian Leslie Henson, Thatcher was a passenger on a Riviera Express train that derailed four miles outside of Lyon, killing three. She was trapped under the wreckage for almost an hour before being rescued, but suffered only minor bruising. The sleeping berth directly above her had been empty at the time of the crash and acted as a canopy when the carriages collided, protecting her from more serious injury. In August 1926, she appeared in Thy Name Is Woman at the Q Theatre. It marked her graduation from musical comedy to serious acting.

She continued her London stage work, performing with June Clyde in Lucky Break. Premiering at the Strand Theatre in September 1934, the theatrical presentation was a production of Leslie Henson. In 1937, Thatcher went to America in Full House. The previous season, she was paired with Ivor Novello in the English rendition. Jack Buchanan, Austin Trevor and Coral Browne teamed with Thatcher in Canaries Sometimes Sing (1947). Produced by Firth Shephard, the theatrical presentation opened in Blackpool and moved to London a month later. Thatcher participated in a Salute To Ivor Novello at the London Coliseum in September 1951. The production raised funds to run his old home, Redroofs. It had been purchased by the Actors' Benevolent Fund.

Film

The Plaything (1929), produced by Castleton Knight and Elstree Studios, begins as a silent film. It develops into a sound film. The theme concerns a Highland laird who falls in love with a hedonistic London heiress. Thatcher plays a prominent role as Martyn Bennett.

In 1931, she visited Hollywood. As a star of English comedy, she was being compared to Marilyn Miller. In the autumn of 1931, she was invited to a reception following the premiere of Strictly Dishonorable (1931), at the Carthay Circle Theatre. Among her friends in films were Anthony Bushell and Zelma O'Neal.

Thatcher was signed by MGM in February 1932. She was given a feature role in But the Flesh Is Weak (1932). The film stars Robert Montgomery and is directed by Jack Conway. The film was adapted from a British stage production that showcased Novello. Thatcher was praised for her performance. The English actress "gives a brilliant performance and creates the only human being in the piece."

Thatcher sued Gloria Swanson British Productions for breach of contract in a suit that was settled in December 1933. During the filming of Perfect Understanding (1933) Thatcher's contract was cancelled before the production was completed. No explanation was given. She was excluded from the film when a new author was hired. The replacement writer chose to eliminate her character.

The Private Life of Don Juan (1934) was also filmed at Elstree Studios. The film had Douglas Fairbanks Sr. as its leading man. Owen Nares played the title role and Thatcher played Anna Dora, one of the ladies.

Later in her career, Thatcher returned to the UK to make films. Among these is Will Any Gentleman...? (1953), filmed at Elstree Studios in Borehamwood. Thatcher appeared together with George Cole and Veronica Hurst. The film was a short adventure about a hypnotist who puts a man in a trance.

Thatcher made her last films in 1955. The Deep Blue Sea, screenplay written by Terence Rattigan, featured Vivien Leigh and Kenneth More. Thatcher depicted Aunt May Luton in Josephine and Men, a comedy starring Glynis Johns and Peter Finch.

Death

Thatcher died in Hillingdon, London in 1987.^[1]^[2] In her will, she left bequests to various charities, including the NSPCC, Help the Aged and the Royal National Institute for the Blind.

Selected filmography

The Prisoner of Zenda (1915) - Extra (uncredited)
Altar Chains (1916) - Alice Vaughan
The Key of the World (1918) - Dina Destin
Pallard the Punter (1919) - Gladys Callender
The First Men in the Moon (1919) - Susan
The Green Terror (1919) - Olive Crosswell
The Little Hour of Peter Wells (1920) - Camille Pablo
The Plaything (1929) - Martyn Bennett
A Warm Corner (1930) - Mimi
Comets (1930) - Himself
Stepping Stones (1931)
But the Flesh Is Weak (1932) - Lady Joan Culver
It's a Boy (1933) - Anita Gunn
Loyalties (1933) - Margaret Orme
The Private Life of Don Juan (1934) - Anna Dora, an Actress as Actresses Go
The Dictator (1935) - Lady of the Court
Mama Steps Out (1937) - Nadine Wentworth - the Poet
The Thirteenth Chair (1937) - Mary Eastwood
Tovarich (1937) - Lady Kartegann
Fools for Scandal (1938) - Lady Potter-Porter
If I Were King (1938) - The Queen
Girls' School (1938) - Miss Brackett
Beau Geste (1939) - Lady Patricia Brandon
Man Hunt (1941) - Lady Alice Risborough
Son of Fury: The Story of Benjamin Blake (1942) - Maggie Martin
We Were Dancing (1942) - Mrs. Tyler-Blane
This Above All (1942) - Nurse (uncredited)
The Moon and Sixpence (1942) - Rose Waterford (uncredited)
The Undying Monster (1942) - Christy
Journey for Margaret (1942) - Mrs. Harris
Above Suspicion (1943) - English Girl Dancing with Richard (uncredited)
Flesh and Fantasy (1943) - Lady Flora (uncredited)
Gaslight (1944) - Lady Dalroy
Anna Karenina (1948) - Countess Lydia Ivanovna
Trottie True (1949) - Angela Platt-Brown
Dear Mr. Prohack (1949) - Lady Maslam
Encore (1951) - Eva Barrett (segment "Gigolo and Gigolette")
Father's Doing Fine (1952) - Lady Buckering
The Hour of 13 (1952) - Mrs. Chumley Orr
Will Any Gentleman...? (1953) - Mrs. Whittle
Duel in the Jungle (1954) - Lady on S.S. Nigeria
The Deep Blue Sea (1955) - Lady Dawson
Josephine and Men (1955) - Aunt May Luton (final film role)

References

Citations

^ ^a ^b "Heather Thatcher (Biography)". NME. Retrieved 14 April 2009.
^ "Heather Thatcher" (in Swedish). Swedish Film Institute. Retrieved 14 April 2009.

General

Lima News, "Has London Gone Crazy About Clothes?", 10 December 1922, Page 38.
Lima News, "Why They Covered Up The Three Prettiest Figures in England", 1 April 1923, Page 12.
Yorkshire Evening Post, "Actress's Ordeal in Train Smash", 14 March 1924, Page 7.
Los Angeles Times, "English Star Here", 15 September 1931, Page A9.
Los Angeles Times, "Silver Wedding Bells", 4 October 1931, Page I2.
Los Angeles Times, "Society of Cinemaland", 15 November 1931, Page B19.
Los Angeles Times, "Heather Thatcher With MGM", 2 February 1932, Page A9.
Los Angeles Times, "English Play Being Screened", 21 February 1932, Page B11.
Los Angeles Times, "Feeble Follow-Up", 24 April 1932, Page B15.
New York Times, "London Stage Notes", 22 August 1926, Page X1.
New York Times, "London Film Notes", 6 October 1929, Page X9.
New York Times, "Don Juan Is To Be A Film Hero", 17 January 1934, Page X2.
New York Times, "The Cable Spies on London", 30 September 1934, Page X1.
New York Times, "News of the Stage", 18 September 1936, Page 19.
New York Times, "London Notes", 25 October 1947, Page 13.
The Times, "Actress' Action Settled", Wednesday, 13 December 1933, Page 4.
The Times, "Stage Tribute To Ivor Novello", Saturday, 8 September 1951, Page 8.
Uxbridge and Hillingdon Gazette, "Comedienne's Charity Bequests", 27 May 1987, Page 11.