The album was recorded at Sunset Sound Studios in Los Angeles in late 1972. Van Dyke Parks, known for his collaborations with Brian Wilson and The Beach Boys, produced the album. In 2013, Parks stated that the band walked in unannounced while he and Lowell George were working on "Sailin' Shoes" and asked him to give them the "California Sound". He initially refused saying he was busy with sessions for his own album Discover America, but accepted when George noticed a suitcase full of new one hundred-dollar bills with Happy End's manager.[1]
Although Haruomi Hosono later described the work with Parks as "productive," the album sessions were tenuous, and the members of Happy End were disenchanted with their vision of America they had anticipated.[2] A language barrier along with opposition between the Los Angeles studio personnel and the band was also apparent, which further frustrated the group.[3] He and Eiichi Ohtaki both recalled that Parks was drunk during production and tried to lecture them about Pearl Harbor and World War II.[4][5] These feelings were conveyed in the closing track "Sayonara America, Sayonara Nippon" (さよならアメリカ さよならニッポン, "Goodbye America, Goodbye Japan"), which received some contributions from Parks and George.[1] As Takashi Matsumoto explained: "We had already given up on Japan, and with [that song], we were saying bye-bye to America too—we weren't going to belong to any place."[2]
Happy End officially disbanded on December 31, 1972, two months before the album was released on February 25, 1973.[6]
^Hayward, Philip (1999). Widening the Horizon: Exoticism in Post-War Popular Music. John Libbey Publishing. p. 120. ISBN978-1-86462-047-4.
^"Haruomi Hosono (RBMA Tokyo 2014 Lecture)". Red Bull Music Academy (in English and Japanese). Red Bull. January 20, 2015. Retrieved October 18, 2017. [Van Dyke Parks] was really a crazy man. He was high when we first met. I wanted to stay away from him... He first gave a speech in the middle of the studio, like a monologue. It was about the Japanese emperor.
^"MUSICIAN FILE 大滝詠一徹底研究II (Eiichi Ohtaki in depth II)", ミュージック・ステディ (Music Steady), pp. 43–76, May 15, 1984