Besser was primarily a portrait painter. Before these portraits were detectable through documentation, attributions of his works were originally assigned to either Master of Pfalz or Master of Margrave. These names were given to the painter because of the frequent representation of the Palatinate princes. Besser demonstrated none of the leading visual style of the Renaissance in Germany. His cool portraits with their motionless poses and rigid facial expressions show a distant contemplation, which seems to follow a sober objectivity of Dutch painting of the period of the Reformation.
References
K. holes: Hans Better - The Master of Pfalz- and Margrave. (With a contribution by Barbara Schock-Werner.) In: Munich Yearbook of Fine Arts, the third episode, 47 (1996), pp 73โ102
Hans Besser. In: Art Encyclopedia. The Concise Grove Dictionary of Art, Oxford University Press Online Edition 2002 called, April 2010
Holes, Kurt: Hans Besser. In: Saur. General Artist Encyclopedia, Vol. 10, Munich / Leipzig 1995, p 208โ209.
Baden State Museum Karlsruhe: The Renaissance in the southwest of Germany between the Reformation and the Thirty Years' War. Catalog. Bd. 1 Karlsruhe 1986