At the time of release Ebony reviewer Phyl Garland said "One needn't be a "piano freak" to appreciate a truly new recording. First of all imagine seven gifted and talented pianists sitting down to seven grand pianos (with electric piano, organ, harpsichord, a few tambourines for spice) and proceeding to tear up these instruments – musically, that is. ...the torrent of sound springing from their 70 fingers is so powerful and majestic as to be unlike anything one has ever heard."[3] In his review for AllMusic, Michael G. Nastos simply states "Brilliant".[2]