After a fire in 1925, most of the house was restored, but the uppermost floor of the servants' quarters was not, which means that the present roof line between the towers is lower than it was when first constructed.
The estate fell into disrepair and incurred a mounting debt beginning in the 1970s. The 11th Viscount Cobham was forced to sell off large tracts of estate land to keep it afloat (in addition to paying for his high-profile divorce). His brother and successor Christopher Charles Lyttelton, 12th Viscount Cobham began restoration works in both the main house and the park.[2] The park is open to the public and part of the house is available as a venue for hire.
The fashion for Neo-Palladian houses had started in London between 1715 and 1720. It spread out to the provinces and did not reach Worcestershire until the 1750s. The two finest examples of this style in Worcestershire were Croome Court built between 1751 and 1752 and Hagley Hall designed by Sanderson Miller (with the assistance of the London architect John Sanderson) between 1754 and 1760. Notable Neo-Palladian features incorporated into Hagley Hall include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire), and of Venetian windows.[3] The house contains a fine example of Rococo plasterwork by Francesco Vassali and a unique collection of 18th-century Chippendale furniture and family portraits, including works by Van Dyck, Joshua Reynolds, Cornelius Johnson, and Peter Lely. A catalogue of the collection was published in 1900.[4]
On Christmas Eve 1925, a disastrous fire swept through the house destroying much of the Library and many of the pictures. Despite boiling lead pouring from the roof through the house, all those within managed to escape. At the height of the blaze when nothing more could be salvaged from inside, the 9th Viscount was heard to mutter "my life's work [is] destroyed". He and his wife painstakingly restored the house, except for the staff quarters on the top floor.[citation needed]
To the north of the Hall, and separated from it only by the narrow Hall Drive, is the extensive stable block. The buildings are grouped around two courtyards. The stable block no longer serves its original purpose, but is now operated as a business park for small local businesses.
A short walk to the west of the Hall, facing its rear facade, is the parish church of St John the Baptist, and its surrounding churchyard. With two earlier exceptions, members of the Lyttelton family, owners of Hagley Hall and their relatives, have only been buried in the churchyard since 1875; also there are the owners of other large houses and estates in the area, and their servants as well.[5] Immediately adjacent to the church is the local cricket ground with its separate clubhouse. Hagley Cricket Club, first formed in 1834, was for long associated with the Lyttelton family.[6]
The grounds drew many admiring visitors, including other writers interested in landscaping such as Alexander Pope and William Shenstone, to both of whom monuments were later erected in the park. James Thomson was another commemorated visitor, who included a description of the grounds in the Spring section of The Seasons, which he revised following his first visit to Hagley in 1743.[12]
Although the gardening poet William Mason did not consider Hagley by name in "The English Garden", there is a section dedicated to it in his earlier "Ode to a water nymph" (1758) which does.[13]Horace Walpole, notoriously hard to please, wrote after a visit in 1753, "I wore out my eyes with gazing, my feet with climbing, and my tongue and vocabulary with commending".[14]
In April 1786 John Adams, while on tour with Thomas Jefferson, visited Hagley and other notable houses in the area and wrote in his diary: "Stowe, Hagley, and Blenheim, are superb; Woburn, Caversham, and the Leasowes are beautiful. Wotton is both great and elegant, though neglected".[15] Though damning about the means used to finance these estates, he was particularly enamoured with Hagley, although he did not think that such embellishments would suit the more rugged American countryside.[15]
After many decades of neglect, restoration work has begun in the grounds, starting with the Hagley Obelisk on Wychbury Hill in 2010.[16] Recently the Palladian Bridge was rebuilt and the vista opened up the valley to the repaired Rotunda at its head.[17]
They were captured at Hagley Park on 9 January 1606 because the authorities had been informed of their presence by Littleton's cook - John Fynwood.[18] He had been alarmed by the quantity of food that was being consumed by Littleton and had seen Robert and Stephen. Despite Littleton's protests that he was not harbouring anyone, a search was made and another servant, David Bate, showed where the two plotters were escaping from a courtyard into the countryside.[18]
Miscellaneous
A 19th-century account of the house and park and the Lyttelton Family ghost story is available.[19]
The Great Western Railway built a series of 4-6-0 steam locomotives named after various halls. Locomotive 4930 was named Hagley Hall and is preserved on the nearby Severn Valley Railway.[20] On its way for refurbishment in June, 2007, it was transported to visit the Hall after which it is named and parked on the forecourt there.[21]
^William Mason's "Ode to a water nymph" includes the lines:
Not Hagley's various stream shall thine surpass,
Tho' Nature, and her Lyttelton ordain
That there the Naid band shou'd grace
With ev'ry watry charm the plain.
Adams, John; Adams, Charles Francis (1851). The Works of John Adams, Second President of the United States: Autobiography, continued. Diary. Essays and controversial papers of the Revolution. The Works of John Adams, Second President of the United States. Vol. 3. Little, Brown. p. 394.
Huber, Alexander (2015). "Eighteenth-Century Poetry Archive / Works / Ode to a Water Nymph. (William Mason)". Eighteenth-Century Poetry Archive / Home. Retrieved 24 August 2018. copied from A Collection of Poems in Six Volumes. By Several Hands. Vol. III. London: printed by J. Hughs, for R. and J. Dodsley. 1763 [1758]. pp. 297–300.
Thomson, James (1793). The Seasons: By James Thomson; with His Life, an Index, and Glossary. ... and Notes to The ... printed by T. Chapman for A. Hamilton. pp. 35–36 § lines 905–ff.