Jones was born in Greenwood, Mississippi.[4] His mother died when he was five, and he was raised by his grandmother. In his teen years, he worked in cotton fields and spent his free time at juke joints, where he started sitting in as a singer or dancer; he was good enough as a dancer that he was nicknamed "Limber Leg".[5]
Recording career
After returning from military service during World War II, he started playing in clubs around New Orleans, Louisiana. Bandleader Willie D. Warren introduced him to the guitar. He was particularly influenced by T-Bone Walker and Clarence "Gatemouth" Brown.[4] About 1950 he adopted the stage name Guitar Slim and became known for his wild stage act. He wore bright-colored suits and dyed his hair to match them. He had an assistant who followed him around the audience with up to 350 feet of cord between his guitar and his amplifier,[6] and occasionally rode on his assistant's shoulders or even took his guitar outside the club, bringing traffic to a stop.[7][8] His sound was just as unusual—he played his guitar with distortion more than a decade before rock guitarists did, and his gospel-influenced vocals were easily identifiable.[9]
He got together with Muddy Waters in Los Angeles, California, for some lively playing.[10]
Jones died of pneumonia in New York City, at the age of 32.[13] He is buried in a small cemetery in Thibodaux, Louisiana, where his manager, Hosea Hill, resided.
Buddy Guy, Albert Collins[6] and Frank Zappa[14] were influenced by Guitar Slim. Other musicians have used the nickname Guitar Slim. The North Carolina blues guitarist James Stephens had several releases under this billing.[15] One of Jones's sons bills himself as Guitar Slim Jr. around the New Orleans circuit. His repertoire includes many of his father's songs.[6]
^Broven, John (1974). Rhythm and Blues in New Orleans. Gretna, Louisiana: Pelican Publishing. pp. 52–53. ISBN0-88289-433-1.
^Hannusch, Jeff (1985). I Hear You Knockin'. Ville Platte, Louisiana: Swallow Publications. p. 177. ISBN0-9614245-0-8.
^Braun, Hans-Joachim (2002). Music and Technology in the Twentieth Century. Baltimore, Maryland: Johns Hopkins University Press. p. 194. ISBN0801868858.
^Erlewine, Michael; Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas, eds. (1997). Allmusic. Los Angeles: Miller Freeman Press. p. 501. ISBN0-87930-423-5.
^Unterberger, R. (2003). "Louisiana Blues". In Bogdanov, V.; Woodstra, C.; Erlewine, S. T., eds. All Music Guide to the Blues: The Definitive Guide to the Blues (3d ed.). Milwaukee, Wisconsin: Backbeat Books. pp. 687–688. ISBN0-87930-736-6.