The unnamed first person narrator is one of a group of tourists and travelers, including a Roman Catholic bishop and a rabbi, who find themselves in Rome during an unexpected Papal conclave to select a new Pope. The group gathers each day in an outdoor cafe close to Saint Peter's Square to discuss their thoughts about the possibility of a robot Pope, likely since news reports indicate that the leading candidates, Cardinal Asciuga of Milan and Cardinal Carciofo of Genoa, are unable to garner majority support in the conclave. The narrator and the clergymen appear to be optimistic, but the other characters openly express their misgivings about a robot serving as Pope. White smoke, the traditional sign of a successful election, is seen and the robot appears on the balcony of St Peter's Basilica as the new Pope, taking the name of Pope Sixtus the Seventh. (To date, there have been only five real Popes of that name.) As the story ends, Pope Sixtus delivers a blessing, while flying through the air impelled by levitation jets.
Interpretation
According to The Encyclopedia of Science Fiction, the story celebrates "the integration of the robot into human religious culture",[2] but other critics have noted the satirical and ironic content of the story. Paul Brians points out that the story announces its satirical intent in the first paragraph, with the names of the competing Cardinals being the Italian words for "towel" and "artichoke", respectively.[3]Don D'Ammassa writes that it is a "quiet, understated satire" and notes the themes of the growing homogeneity and dehumanization of religion.[4]Malcolm Edwards categorizes this story as one of a group that Silverberg published in the early 1970s that were more experimental than his longer form work and were influenced by techniques employed by contemporary literary writers like Donald Barthelme and Robert Coover. In these stories, Silverberg ironically reexamined traditional themes of science fiction.[5]
^Science Fiction Writers: Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. Ed. E. F. Bleiler. Charles Scribner's Sons, 1982. 505-511. Excerpted in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 140. Detroit: Gale Group, 2001. 340-397. Literature Criticism Online. Gale.