Gillian Freeman (5 December 1929[1] – 23 February 2019) was an English writer. Her first book, The Liberty Man, appeared while she was working as a secretary to the novelist Louis Golding. Her fictional diary, Nazi Lady: The Diaries of Elisabeth von Stahlenberg, 1938–48, was assumed by many to be real.
Early life
Born in Maida Vale, London[2] to Jewish parents, Dr Jack Freeman, a dentist who had been a physician, and his wife Freda (née Davids),[3] she attended Francis Holland School in London and Lynton House school in Maidenhead during the Second World War.[4] She graduated in English and philosophy from the University of Reading in 1951.[5] She then taught at a school in the East End and worked as a copywriter and a newspaper reporter.[5]
Career
The Liberty Man (1955) was Freeman's first book, written while working as a literary secretary to the novelist Louis Golding; it was about a love affair between a schoolteacher and a sailor doomed by the class system.[5][6] Freeman's time with Golding was said to have inspired some of her later works.[4]
One of her best known books was the novel The Leather Boys (1961), published under the pseudonym Eliot George, after the novelist George Eliot, a story of a gay relationship between two young working-class men, one married and the other a biker,[6] which was later turned into a film for which she wrote the screenplay, this time under her own name. The novel was commissioned by the publisher Anthony Blond, her literary agent,[5] who wanted a story about a "Romeo and Romeo in the South London suburbs".[7][8] Her non-fiction book The Undergrowth of Literature (1967), was a pioneering study of pornography.[5][9]
The Alabaster Egg (1970) is a tragic romance about a Jewish woman set in Nazi Germany.[5] In 1978, on another commission from Blond, she wrote a fictional diary, Nazi Lady: The Diaries of Elisabeth von Stahlenberg, 1938–48. Freeman's authorship was not at first revealed and many readers assumed it was genuine;[10] it was included in a 2004 anthology of war diaries.[5][11]
^Bethany Layne, "'They Leave out the Person to Whom Things Happened': Re-Reading the Biographical Subject in Sigrid Nunez's Mitz: The Marmoset of Bloomsbury (1998)", in: Bloomsbury Influences: Papers from the Bloomsbury Adaptations Conference, Bath Spa University, 5–6 May 2011, ed. E.H. Wright, Newcastle: Cambridge Scholars, 2014, ISBN9781443854344, pp. 30–45, p. 41.
^Irving Wardle, 'Experiment and Expansion', The Times, 1 March 1969.
^Gillian Freeman, 'The making of Mayerling', The Times, 8 February 1978.
^John Percival, 'Sadler's Wells: Intimate Letters', The Times, 11 October 1978.
^John Percival, 'Isadora, Covent Garden', The Times, 1 May 1981.