George Irving Shirley (born April 18, 1934) is an American operatictenor, and was the first African-American tenor to perform a leading role at the Metropolitan Opera in New York City.
After continuing voice studies with Therny Georgi, he moved to New York and began his professional career as a singer. His debut was with a small opera group in Woodstock as Eisenstein in Strauss's Die Fledermaus in 1959,[3] and his European debut in Italy as Rodolfo in Puccini's La bohème.[1] In 1960, at 26, he won a National Arts Club scholarship competition,[4] and the following April he was the first Black singer to win the Metropolitan Opera National Council Auditions scholarship competition.[5] Shirley is the first Black tenor and the second Black male to sing leading roles for the Metropolitan Opera.[2] He sang there for 11 seasons.
He was on the faculty of the University of Maryland from 1980 to 1987, when he moved to the University of Michigan School of Music, Theatre & Dance, where he was Director of the Vocal Arts Division. He currently serves as the Joseph Edgar Maddy Distinguished University Professor of Music, and still maintains a studio at the school.[1]
Awards and recognition
In 1968, Shirley won a Grammy Award for his performance in the role Ferrando in the RCA recording of Mozart's Così fan tutte.[1] He has three times been a master teacher in the National Association of Teachers of Singing Intern Program for Young NATS Teachers, and taught dozens of up-and-coming vocalists for ten years at the Aspen Music Festival and School.[7] Shirley produced a series of programs for WQXR-FM radio in New York on Classical Music and the Afro-American[2] and hosted a four-program series on WETA-FM radio in Washington, D.C. called Unheard, Unsung.[6] Shirley has been awarded honorary degrees by Wilberforce University, Montclair State College, Lake Forest College, and the University of Northern Iowa.[2] He is a National Patron of Delta Omicron, an international professional music fraternity.[2][6][8] In 2013, Phi Mu Alpha Sinfonia, of which he is a member, named him a Signature Sinfonian, an award recognizing exceptional accomplishment in the fraternity member's chosen field.[9] One his highest honors came in 2015 when Mr. Shirley received the National Medal of Arts, bestowed upon him by US President Barack Obama.[10] The following year in 2016, he was a recipient of the Lifetime Achievement Award during the National Opera Association's annual convention.[11] Shirley was presented with the William Warfield Legacy Award in 2019 for his dedication to the advancement of African American classical vocalists and the legacy of William Warfield.[12]
Discography
[Composer: work (other singers; ensembles; conductor), label, recording or publication date.]
Mozart: Così fan tutte (Leontyne Price, Tatiana Troyanos, Judith Raskin, Sherrill Milnes, Ezio Flagello; Ambrosian Opera Chorus; New Philharmonia Orchestra; Erich Leinsdorf) RCA, 1967
Stravinsky: Oedipus rex (Shirley Verrett, Loren Driscoll, Donald Gramm, John Reardon, Chester Watson; John Westbrook, narrator; chorus and orchestra of the Washington Opera Society; Igor Stravinsky), Columbia Records (CBS), January 20, 1961
Stravinsky: Pulcinella (Irene Jordan, Donald Gramm; Columbia Symphony Orchestra; Igor Stravinsky), Columbia Records (CBS), August 23, 1965
Stravinsky: Renard (Loren Driscoll, Donald Gramm, William Murphy; Columbia Chamber Ensemble, Igor Stravinsky) Columbia Records (CBS), January 26, 1962