Ernest was born George Ruud Hjorth to a Norwegian mother and Danish father. The family moved to California when he was two-and-a-half years old. His father owned a restaurant in Hollywood.[1]
Acting career
Ernest began getting small parts in silent films when he was just three years old.[1] He had a successful career as a child actor, being a member of Our Gang in 1931. He also played Roger Jones in 17 Jones Family low-budget films from 1936 to 1940 (named Roger Evers in the first movie, Every Saturday Night). However, as he grew older, roles became scarcer, so he learned from cameramen on his films and became one himself.
World War II
When the Japanese attacked Pearl Harbor on December 7, 1941, and the United States officially entered World War II, he enlisted. At a friend's suggestion, he became a combat photographer and "one of the 17 original movie makers" of a special OSS photographic unit headed by noted film director John Ford.[1] He had to sign an agreement not to discuss his wartime work for 50 years.[1]
On his first combat mission, he photographed the fighting in North Africa, followed by the invasion of Sicily and then on to the Italian mainland.[1] He parachuted "into France and Germany ... to take pictures of bridges, roads, rivers, railroads and even a V-1 launch site".[1]
In early June 1944, he parachuted into occupied France with three film cameras without being told what he was supposed to do.[1] The French Resistance hid him for a couple of days, then took him to the coast before dawn of June 6. He was told he would know what to film. As dawn came up, he witnessed, and filmed, the D-Day invasion of Omaha Beach by the United States Army - the only known Allied footage from the German perspective.[1] After using up all of his film, he managed to get through the American lines unharmed and returned to England. Absurdly, when the film was to be screened, he was ordered out of the room because he did not have the top secret clearance required to see it.
Hjorth also shot pictures of Buchenwald concentration camp and the aftermath of an Axis atrocity in France (the corpses of dozens of civilians burned alive).[1]
Post-war
He became an executive for McDonnell Douglas.[1] When OSS files were declassified, his wartime activities came to light. Historians are searching for the film he shot, so far without success.[1]
He was one of the subjects of Shooting War, a 2000 documentary about World War II combat cameramen,[2] and episode 9 of the TV series Brad Meltzer's Lost History.
Goldrup, Tom and Jim (2002). Growing Up on the Set: Interviews with 39 Former Child Actors of Film and Television. McFarland & Co. pp. 67–75. ISBN1476613702.
Holmstrom, John (1996). The Moving Picture Boy: An International Encyclopaedia from 1895 to 1995. Norwich: Michael Russell, p. 108-109.
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