His best-known work is Leighton House in Kensington, described by architectural historian J. Mordaunt Crook as "one of the most innovative houses of the Victorian period",[10] which he designed for his friend, the artist Frederic Leighton.[11][12][13] This generated a number of commissions from well-heeled clients and "established him as a master of decoration and ornament".[14]Moncure D. Conway considered the house of Frederick Lehman in Berkeley Square to be Aitchison's "chef-d'œuvre", noting that the rooms he completed "would fein see themselves hung upon the walls of the Royal Academy, and not merely the designs of some of them, which were, indeed exhibited there".[15]
Aitchison, George (16 March 1889). "Construction". The Builder. Vol. 56, no. 2406. pp. 198–201 – via HathiTrust.
Aitchison, G. (January 1891). "The Principles of Decoration". Popular Science Monthly. Vol. 38. pp. 390–398 – via Internet Archive.
Aitchison, G. (1892). "Byzantine Architecture". Transactions of the Royal Institute of British Architects. New series. 8: 221–264.
Ward, James (1896). Aitchison, George (ed.). The Principles of Ornament (Second ed.). London: Chapman and Hall – via Internet Archive.
Notes
^All B.A. students were tested in four subjects (mathematics and natural philosophy, animal physiology, classics, and logic and moral philosophy) and could sit an additional honours examination.[7]
^The diploma work Aitchison submitted was for the design of the Royal Exchange Assurance building, Pall Mall.[16]
^Gere, Charlotte (May 2010). "Leighton House: Its Rise, Fall, And Rise". Apollo. Vol. 171. London: Press Holdings Media Group. pp. 54–59. ISSN0003-6536.