You can help expand this article with text translated from the corresponding article in Russian. (May 2018) Click [show] for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Russian Wikipedia article at [[:ru:Алексеев, Фёдор Яковлевич]]; see its history for attribution.
You may also add the template {{Translated|ru|Алексеев, Фёдор Яковлевич}} to the talk page.
Fyodor Yakovlevich Alekseyev (Russian: Фёдор Яковлевич Алексеев; c.1753–1755 – 23 November 1824) was a Russian painter. His contemporaries often called him the Russian Canaletto, in recognition of his masterful vedute.[1]
Biography
He was the son of the caretaker at the Imperial Academy of Arts, where he was admitted in 1764 upon a petition by his father, after studying for several years at the garrison school. In 1767, he took a class in ornamental sculpture and later studied scenic painting with Antonio Peresinotti.[1] From 1773 to 1777, he lived in Venice on a fellowship, where he studied to be a theater artist. This did not appeal to him, however, and he spent much of his time painting landscapes and copying the old masters.[2]
Having incurred the displeasure of the authorities at the Academy, when he returned he was put to work as a decorator for the Imperial Theatres until 1786 and was not allowed to continue his academic studies.[2] Undaunted, he continued to paint what he pleased and slowly won some recognition. In 1794, his "View of the Palace Embankment from the Fortress" earned him the title of Academician.
In 1800, Tsar Paul I assigned him to create vedute of the streets and architecture in Moscow.[2] From 1803, he taught at the Academy, but also travelled extensively, visiting Kherson, Mykolaiv, Bakhchysarai, Oryol and other locations in the south which had been visited by Catherine the Great,[1] where he produced plein air sketches and watercolors of the surrounding areas. In 1810, he produced a series of works depicting Saint Petersburg.
In his later years, his fame steadily declined and he died in poverty, leaving a large family behind. The Academy paid his funeral expenses.[2]
N. Sobko, Словарь русских художников с древнейших времён до наших дней (XI—XIX вв) (Dictionary of Russian Artists from Ancient Times to the Present Day), 1893
Alexei Fyodorov-Davidov, Фёдор Яковлевич Алексеев, Moscow, Искусство, 1955
Maris Ivanovna Androsova, Фёдор Алексеев, 1753—1824, Saint Petersburg, Художник РСФСР, 1979
