They recorded Live, Love, Larf & Loaf in San Francisco in March 1987, an eclectic collection of songs drawn from a variety of music genres, including folk, R&B and avant-garde rock. Most of the album comprised compositions from each of the members of the group, plus a few covers, including the Beach Boys' "Surfin' U.S.A.".[3]
While the group experimented with folk and rock music, it is generally felt that Thompson's presence did "tone down" the "avant-garde" leanings of the other three musicians. Mark Deming states in AllMusic that "... the slightly bent wit and angular guitar figures of Richard Thompson's signature brand of folk-rock certainly added a spoonful of sugar that helped the avant-leaning art rock of Henry Kaiser, Fred Frith, and John French go down more easily."[3]
The group re-assembled in San Francisco in March 1990 to record Invisible Means, another collection of "skewed" songs from each of the members, plus one cover ("Loch Lomond").[1][4]