For a time Hilverding served as the director of the Imperial Theatre in St. Petersburg, Russia. Hilverding, simultaneously as his contemporaries Jean Baptiste de Hesse, and own assistant Gaspare Angiolini, contributed to the development of the Ballet d'Action, for which Jean Georges Noverre would get lasting credit with the publication of his Letters on Dancing and Ballets. Ballets d'action emphasized a cohesive dramatic and expressive element to performances, with costumes, plot, and movement all serving the purpose of the story.
Invited by Czarina Elizabeth in 1758, he became court choreographer in St Petersburg. He brought his dancers with him to Russia, and did much to progress the talent of the Russian dancers. He tried to use Russian themes in his ballets, and depicted Russia as the "Defender of Virtue" in his "Virtue's Refuge." Hilverding returned to Vienna in 1764 and staged "Le Triomphe de l'Amour" which starred Marie Antoinette and her brothers Ferdinand and Archduke Maximilian Francis of Austria.
