One of a family of artists, Troy was born in Toulouse, the son of Antoine Troy (bapt. 28 July 1608 – 15 September 1684), a painter in that city,[4] and Astrugue Bordes. François Troy and was the brother of the painter Jean de Troy (4 April 1638 – 25 June 1691).[5] Troy was taught the basic skills of painting by his father, and perhaps also by the more worldly Antoine Durand.[4][6]
François de Troy is not to be confused with his son, the portrait painter Jean-François de Troy (1679–1752), who studied under him.[7]
Career
At some time after 1662, Troy went to Paris to study portrait painting under Claude Lefèbvre (1633–1675) and Nicolas-Pierre Loir (1624–1679].[6] A. P. F. Robert-Dumesnil states that this occurred when Troy was aged twenty-four.[4]
In 1669, Troy married his master Nicolas-Pierre Loir's sister-in-law, Jeanne Cotelle.[6]
Troy's early known works include tapestry designs for Madame de Montespan, one of the many mistresses of Louis XIV of France, and paintings with religious and mythological subjects.[6]
In the 1670s, he became friendly with Roger de Piles, who introduced him to Dutch and Flemish painting, and after the death of Claude Lefebvre in 1675, Troy changed his direction to become a portrait artist, aiming at commissions from Lefebvre's former clients. In 1679 he was commissioned to paint a portrait of the Swedish ambassador Nils Bielke, and in 1680 that of Maria Anna Victoria of Bavaria, shortly after her marriage to Louis of France, Dauphin of France, the heir to the French throne, on 7 March 1680.[6] Troy became a successful painter of fashionable single and group portraits.[8] His clients included Madame de Montespan, her son by the king, Louis Auguste, Duke of Maine, and his wife Louise Bénédicte de Bourbon.[6]
As a result of such commissions, Troy was able to work continuously in court circles for almost fifty years. He was admired for his ability to capture the upper classes and their preoccupation with manners and fashion.[6] Perhaps more importantly, he was said to have the ability to make any woman look beautiful, which made him sought after by all women.[9]
By the years 1698 to 1701, a period of peace between France and Great Britain, Jacobites could cross the English Channel carrying portraits of James Francis Edward Stuart and his sister Princess Louisa Maria. Troy was then James II's only court painter and needed the help of Belle, his best student, to produce the many portraits commissioned from him.[10]
In 1698, he was appointed a Professor of the Académie Royale, and in 1708 became its director.[11][12]
Troy was an engraver as well as a painter. Among his engravings is one of the funeral in 1683 of Maria Theresa of Austria, the wife of King Louis XIV.[4]
Cailleux, Jean, Some Family and Group Portraits by Francois de Troy (1645–1730) in The Burlington Magazine, vol. 113, no. 817 (April 1971), pp. i-xviii
Brême, Dominique, François de Troy 1645-1730 (Paris, ed. Somogy, Editions d'art, 1997, 199 pages, ISBN978-2-85056-278-5)
^Maîtres français, 1550-1800: dessins de la donation Mathias Polakovits à l'Ecole des beaux-arts : Ecole nationale supérieure des beaux-arts, 19 avril-25 juin 1989. (1989). France: L'Ecole. Page 134.
^ abcdefgRobert-Dumesnil, Alexandre Pierre F., Le peintre-graveur français, ou Catalogue raisonné des estampes gravées par les peintres et les dessinateurs de l'ecole française, vol. 7 (1844) p. 337 online at books.google.com (accessed 15 February 2008)
^Brême, Dominique (1997). François de Troy 1645–1730. Paris. pp. 11–18.{{cite book}}: CS1 maint: location missing publisher (link)
^Bordeaux, Jean-Luc, Jean-Francois de Troy, Still an Artistic Enigma: Some Observations on His Early Works in Artibus et Historiae, vol. 10, no. 20 (1989), pp. 143-169
^Robert-Dumesnil, op. cit.: "Possédant l'art de rendre toutes les femmes belles, son pinceau flatteur le fit rechercher de toutes les dames et lui procura une grande vague à la cour."
^Bryan, Michael, Bryan's Dictionary of Painters and Engravers. Volume 5. S-Z (Adamant Media Corporation, ISBN0-543-93157-9), page 208 online at books.google.com (accessed 16 February 2008)
^Williams, Hannah (2016). Académie Royale: A History in Portraits. Routledge. p. 45. ISBN978-1-4094-5742-8.