Forever Young, Forever Free (original South African title: e'Lollipop[2]) is a 1975 South African drama film directed by Ashley Lazarus and starring José Ferrer and Karen Valentine.[3][4] The lives of actors Muntu Ndebele and Norman Knox are dramatised in the 2011 unofficial sequel Canadian film, A Million Colours, directed by Peter Bishai and co-written with Andre Pieterse.
Plot
A white orphan, Jannie, is dropped off at an orphanage run by a priest and nun in Lesotho, Southern Africa. The boy befriends another orphan, Tsepo, who is black. While playing with a tractor tyre, Jannie rolls down a cliff, severely injuring himself. During this ordeal, he has flashbacks to his parents dying. Jannie is evacuated to New York City via a USAF mercy flight, to have his kidneys operated on, due to his injuries. He has permanent renal damage, requiring him to take pills for the rest of his life. The local village raises money so Father Alberto and Tsepo can go to New York. At the airport, Tsepo is mistaken for a school student and lugged onto a school bus, before escaping the school bus in Harlem. Upon meeting a Zulu-speaker, Tsepo is taken to the police and reunited with Father Alberto. He then joins Jannie and explores New York before the two friends return to Lesotho.
Filming for e'Lollipop took place in South Africa and New York City, starting on 8 July 1974.[1] It was the first feature film for director Ashley Lazarus (who had helmed documentaries previously) and television actress Karen Valentine.[1]e'Lollipop was one of eight planned inaugural features in the Children's Film Theater, a U.S./Canadian matinee initiative slated to launch in late 1975[1] as a counterpart to Laundau's own American Film Theatre program.[5]
The soundtrack for e'Lollipop was composed by Lee Holdridge. The Pittsburgh Post-Gazette's George Anderson wrote of its U.S. release as Forever Young, Forever Free, "A mixture of innocent-sounding pop melodies and African folk music...[this] pleasant album [is] 'dedicated to children everywhere.'"[7]
Thematic analysis
The film was "one of the few [apartheid-era productions] which imagined some type of friendship between blacks and whites...[but] did not [set out to] challenge apartheid ideology".[8]
Release
In its native South Africa, the original e'Lollipop was not shown in Bloemfontein theatres for fear of bans.[2]Universal Pictures picked up the film for U.S. and Canadian distribution as early as 31 August 1975,[9][10] then proceeded to re-edit and retitle it as Forever Young, Forever Free.[11] The revised version, according to Keyan Tomaselli of Cinéaste, "turned the well-paced pathos of a little black boy who sacrifices his life for his white friend into a soppy happy ending which negates the film's moral and racial parable."[11] Furthermore, its distribution in that market was mainly relegated to "the lower half of double bills".[12] In 2004, the film was screened at the Cannes Film Festival amid plans for revived distribution.[2]
Reception
In June 1979, David Deneui of The Bellingham Herald gave the film 2½ stars, writing that "the simple story...could be entertaining family viewing."[12] In later years, film critic Leonard Maltin gave it the same rating in his Movie Guide, finding it "Entertaining, if a bit too sugar-coated".[13]