Tony Costa is a world famous opera singer with a reputation for playboy antics and irresponsibilty. His loyal manager Tabory is constantly ingesting nervous stomach medication. After a scandalous no-show at the Vienna Opera, Tabory ships Tony off to Capri to hide out from the press.
Tony is showing off his voice to a gaggle of girls in the town square when he notices one woman absorbed in a book who isn't paying him any
attention at all. His curiosity aroused, Tony follows her home. Christa is a normal young woman who had been deafened in a World War Two bombing raid,
and has shied away from men because she considers herself unattractive due to her handicap.
Tony sneaks back to New York and his manager, saying he wants bookings in every city that has the best ear doctors in the world. Tabory breaks
the news that Tony is broke and will have to start his whole career over from scratch the right way. Tony accomplishes this. But the only ear doctor
who holds out any hope for Christa warns that the operation is potentially life threatening. Christa insists on going through with it.
The operation is a success, and an exuberant Tony takes her and her family on a global tour of celebration. The strain(and being caught in a thunderstorm) brings on a temporary relapse for Christa. Tony takes out his frustration in a nightclub brawl that is hastily covered up by his friends
who are aware of the circumstances.
Christa's hearing is restored with rest and care, and Tony resumes his career with renewed vigor.
Music plays a major role in the film. The following compositions can be heard:
La donna e mobile and Un di, se ben rammentomi… from Rigoletto by Giuseppe Verdi
Come prima ( For the First Time ), a hit by Panzeri, Di Paola and Taccani
Oh, Capri, a Tarantella , and the Jamaica-Rock Pineapple Picker by George E. Stoll
O sole mio, a Neapolitan folk tune
Lachterzett from the opera Così fan tutte by Wolfgang Amadeus Mozart
Vesti la giubba from I Pagliacci by Ruggiero Leoncavallo
I love you by Edvard Grieg
Death scene from Othello by Giuseppe Verdi
Ave Maria by Franz Schubert
Je n'en connais pa la fin by Marguerite Monnot
Triumphal march from Aida by Giuseppe Verdi
Who was once in Munich by Bette/Hauff
In addition to the main actor, soloists, the choir and orchestra of the Roman Opera and the Vatican boys' choir sing and play. George E. Stoll, who also contributed two of his own songs, was responsible for directing the music.
Box office
According to MGM records the film earned $710,000 in the US and Canada and $975,000 elsewhere, resulting in a profit of $1,685,000.[1]
Reception
Critics singled out Lanza's singing of "Vesti la Giubba" from Pagliacci and the Death Scene from Otello for special praise, with Howard Thompson of The New York Times calling it the tenor's "most disarming vehicle in years."[citation needed]
