Rolling Stone wrote that "once he has filled the crossover quota ... Keita offers solemn, languid, march-tempo meditations ('Mandjou', 'Mandela', 'Nyanyama') that are hauntingly beautiful and deceptively sophisticated."[9]The Guardian determined that "though more dancey in drum and bass than ever the albino activist's disenchantment with European life is evident, warmly expressed in an increasingly pan-African view."[4]
AllMusic praised the "gritty voice that transcends classification," writing that Keita "spins dance tracks that reveal a dedication to tradition and passion."[7]