Toby was surprised on the flight by her "typically overbearing Italian mother", and is trying to ditch her in Hong Kong to instead spend time with David (a young doctor). Unknown to Andrea, her lover—Donald—leads a white slavery and drug trafficking ring in Hong Kong; Sherry was one of his smugglers, but he has kidnapped her for withholding some of the product, as well as Toby and her mother.[1]
Andrea and a local narcotics agent (Len) confront Donald in his nightclub, while David works to free the other three women.[1] In short: three stewardesses fight against kung fu killers.[2]
ProducerRoger Corman described the film as having "a somewhat pro-women's-lib viewpoint", something that was actually a bait-and-switch on the audience: while it was marketed on the merits of action, humor, and sexual content, Corman said that Fly Me instead promoted women and was "a better film" for it. He said that women's organizations and magazines were surprised at the film's quality and pro-women message.[2]
The film was shot in the Philippines. Corman wanted to credibly set the film in Los Angeles, so he hired Curtis Hanson to film the opening scene in that city, stipulating the inclusion of nudity. With only one day to shoot, Hanson staged a scene where Anderson's character is late leaving for Los Angeles International Airport: she runs from her apartment into a taxi (driven by Dick Miller) and changes into her uniform in the back seat of the car, almost causing the distracted driver to crash.[4]
Release
Fly Me was the first of four New World Pictures films released in summer 1973;[1] it runs 72.25 minutes long.[5] In the United Kingdom, Fly Me was released on December 22, 1985 by Media Perpetuity Investments; it ran 74 minutes long.[7]
Reception
Christopher Koetting wrote in 2009 that Santiago eschewed all of the thematic qualities that New World had previously put into their nurses-themed films—left-wing political subplots and "attempts at style"—instead cramming in as much sex and violence as the Motion Picture Association of America's R rating would allow. He called it "one of New World's all-time worst."[1]
In 2012, critic Rich Rosell wrote at DVD Talk that although the film "is fairly awful it is still fun in its own high camp kind of way," that it is "loaded with unintentionally funny chop-socky fight scenes balanced out by obligatory attractive female nekkidness," and that "it has a silly, low-rent charm despite the abundant imperfections."[5]
Writing for Slant in 2012, critic Budd Wilkins described the exploitation film as "rife with wooden acting, knowingly awful dialogue, and plenty of kung-fu action," that the editing was "lousy [...] as though the film had been cut with a blunt machete and some Super Glue, which the editor was doubtless huffing," and "the fights look to have been choreographed like a game of Blind Man’s Bluff."[3]
^ abcdefdi Franco, J. Philip; Browne, Karyn G.; Johannessen, Joy, eds. (1979). "Films Produced and Distributed by Roger Corman (New World Pictures)". The Movie World of Roger Corman. New York City: Chelsea House Publishers. p. 182. ISBN0-87754-050-0.
^ abNashawaty, Chris (2013). "Dawn of a New World". In Klopfer, Eric (ed.). Crab Monstera, Teenage Cavemen, and Candy Stripe Nurses (Roger Corman: King of the B Movie). New York City: Abrams Books. pp. 113, 115. ISBN978-1-4197-0669-1. LCCN2013935759.
.jpg)
