Florence Ann McNeal (née McNeil, c. 1932 – August 26, 2013) was a Canadian poet, writer, playwright, and professor.
Personal life
Florence Ann McNeil was born in Vancouver, British Columbia around 1932 to John Peter McNeil and Jean (Gillies) McNeil, both of whom were of Scottish ancestry. Jean was the daughter of John Gillies, who was part of the "Barra Group" that immigrated to Canada from Scotland in 1924.[citation needed] When she married David McNeal, she kept Florence McNeil as her nom-de-plume.[1]
McNeil graduated from the University of British Columbia in 1953 with an undergraduate degree in Arts,[2] a Teacher Training Diploma in 1955,[3] and an MA in Creative Writing, while being mentored by poet and UBC professor Earle Birney in 1965. Birney said she was "one of the best writers of poetry with a western base. "[4] Her thesis was a compilation of original poems entitled Interior August.[5]
In 1951, while studying for her BA at UBC, she began writing for The Ubyssey.[7] From the fall of 1951 to early spring 1953 she was the women's editor of the paper.[8][9][10] McNeil was praised in Harry Logan's "Tuum Est," a history of the University of British Columbia, in 1957 for her high level of reporting and editorial writing as a result of her column "Scotch and Soda."[11] However, she faced criticism during the winter of 1953 for her apparent defense of Archbishop Aloysius Stepinac in a poem published January 30, 1953 in "Scotch and Soda." [12][10]
In 1953, she was elected by the graduating class to be the class poet.[13] She was also sponsored by the Ubyssey to be a Homecoming Queen candidate.[14][15]
She was also treasurer of the Women's Undergraduate Society.[16] And was an active member of UBC's Newman Club chapter.[17]
It is said that her work is influenced by her Scottish ancestry and that her work provides evidence of her "interest in narrative and how the past impinges on the present." Her poems "take the form of linked sequences, typically grounded in a historical person, tribe, place, or event."[19] Additional influences included her childhood and nature and her interest in the historical narrative was evident in her early career.[20] For example, One of her first books was "Overlanders," in which she described the community and inhabitants through the voices of the inhabitants.[21] Later, she attempted to publish an historical non-fiction volume on a real ghost town named Barkerville that suffered a devastating fire on September 16, 1868.[20] However, she discovered that the story of Barkerville was more impactful in poetic form than non-fiction, so she continued the same style as that in Overlanders.[21][20]
Subsequent to her initial poetry about the Overlanders and Barkerville, she continued writing similar poetry for other real places and people, as well as fictitious people and places. Her book "Emily" followed the pattern of poetry about a real person, Emily Carr in this case, in fictitious form.[20][22]
Some of her poems were later adapted to stage, radio, and TV productions, including "John Drainie's CBC radio program, Canadian Short Stories."[1] For example, Barkerville was adapted to both theatre and radio.[19] The stage production of Barkerville premiered in 1987.[23][24] Her "Miss P. and Me" TV adaptation was first broadcast as early as 1988.[25]
McNeil's records, both personal and professional, including unpublished manuscripts, are located in the University of British Columbia Archives.[26]
Selected awards
Sheila A. Egoff Prize for children's literature in 1989
^Weingarten, J.A. (2019). Sharing the past : the reinvention of history in Canadian poetry since 1960. Toronto: University of Toronto Press. p. 119. ISBN9781487501044.
^(:Null) (16 March 1951). "Let's See Now". The Ubyssey. Vol. 33, no. 61. Vancouver, BC: Student Publications Board of the Alma Mater Society of the University of British Columbia. p. 3. doi:10.14288/1.0124807. Retrieved 18 June 2020.
^McNeil, Florence (2 October 1951). "Women's Page". The Ubyssey. Vol. 34, no. 4. Vancouver, BC: Student Publications Board of the Alma Mater Society, University of British Columbia. p. 3. Retrieved 18 June 2020.
^Logan, Harry T. (1958). Tuum Est. Vancouver, BC: The University of British Columbia. p. 245. OCLC06382318. Retrieved 17 June 2020.
^McNeil, Flo (30 January 1953). "Scotch and Soda". The Ubyssey. Vol. 35, no. 42. Vancouver, BC: Alma Mater Society, University of British Columbia. p. 3. Retrieved 18 June 2020.
^Banfield, John; Haines, Ray; Sutton, Wendy; Robinson, Betty-Jane; Wright, Janie; Roger, Ann; Trafford, Jacquie; Donnelly, Helen, eds. (1953). Totem 1953. Vancouver, BC: Vancouver : Publications Board of the Alma Mater Society. p. 195. Retrieved 18 June 2020.
^(:Null) (31 October 1952). "We Go Flo..."The Ubyssey. Vol. 35, no. 16. Student Publications Board of the Alma Mater Society, University of British Columbia. p. 1. doi:10.14288/1.0124593. Retrieved 18 June 2020.
^(:Null) (31 October 1952). "Here's Flo - To Heck With Ike". The Ubyssey. Vol. 35, no. 16. Student Publications Board of the Alma Mater Society, University of British Columbia. p. 3. doi:10.14288/1.0124593. Retrieved 18 June 2020.
^"WUS President". The Ubyssey. Vol. 35, no. 11. Student Publications Board of the Alma Mater Society, University of British Columbia. 21 October 1952. p. 3. Retrieved 18 June 2020.
^ abReinhardt, Jean (10 November 1984). "A new perspective of Barkerville". Star-Phoenix. Saskatoon, Saskatchewan, Canada. p. Sunday Accent insert, page 13. Retrieved 18 June 2020.