April 5, 1949 (1949-04-05) – May 22, 1958 (1958-05-22)[citation needed]
Fireside Theatre (later known as Jane Wyman Presents the Fireside Theatre, Jane Wyman Theatre, The Jane Wyman Show and Jane Wyman Presents) is an American anthologydrama series that ran on NBC from 1949 to 1958, and was the first successful filmed series on American television. Early episodes (1949-1955) were low-budget and often based on public domain stories. While the series was dismissed by critics, it remained among the top ten most popular shows for most of this period.
For the 8th season (1955–1956) Jane Wyman became the host and producer making it only the second filmed prime time network drama anthology to be hosted by a woman. Later episodes (1955–1958) were written by important freelance television writers such as Rod Serling, Aaron Spelling and Gene Roddenberry. It predates the other major pioneer of filmed television production in America, I Love Lucy, by two years.
Overview
Fireside Theatre was created by Frank Wisbar, who also wrote and directed many episodes.[1] He was the producer and director for the program's first six years, resigning on December 6, 1954, and leaving when his contract expired on February 15, 1955.[2] From 1952 to 1958, the program was presented by a host. This role was first filled by Wisbar (1952–1953), then by Gene Raymond (1953–1955), and finally by the person most associated with the series in the public mind, Jane Wyman (1955–1958).
On April 2, 1955 series’ sponsor P&G and NBC announced a deal with MCA Inc. for Wyman to assume the role of host. During the period first-run episodes were produced by Wyman’s production company Lewman Ltd. the series ultimately became known as The Jane Wyman Show. Wyman acted in 51 of the 93 episodes she hosted. Episodes rerun weekdays on ABC as part of its 1961-62 and 1962-63 daytime schedule ran under the title Jane Wyman Presents.
Billboard praised an episode titled "The Lottery", saying that the cast "all turned in taut, exciting performances to make Lottery a real winner".[3] Unlike most episodes of the series, this episode aired live.
In 1954, Billboard’s “3rd Annual TV Program and Talent Awards” listed it as the fourth-best filmed network drama series, ahead of the General Electric Theater; however, Billboard's list excluded "mystery" shows (which was a separate list topped by Dragnet).[4]
The Doubleday Book Club also ran a playscripts club called The Fireside Theatre.
1955-1958, Seasons 8-10
Ratings
Fireside Theatre became a hit for NBC, always in the Top 30 shows at the end of each TV season, until the 1956–1957 season, when its viewership began to decline. After this, it never returned to the Top 30.
Seasonal rankings (based on average total viewers per episode) of Fireside Theatre on NBC. (Note: In the United States, each network television season starts in September and ends in late May, which coincides with the completion of May sweeps.)
Season
TV season
Ranking
Viewers (in millions)
3rd
1950–1951
#2
5.365
4th
1951–1952
#7
6.594
5th
1952–1953
#10
8.282
6th
1953–1954
#9
9.464
7th
1954–1955
#20
9.547
8th
1955–1956
#24
10.121
1955-1958, Seasons 8-10
In the first year of Wyman's three-year deal to produce and host the 8th, 9th and 10th seasons of, what would ultimately become, The Jane Wyman Show, her series' lead-in, the new color incarnation of Texaco Star Theatre, continued to decline in the ratings for the 1955-56 season falling behind The Phil Silvers Show on CBS in its timeslot and dropping out of the top 30. It was cancelled in 1956 after eight seasons. By contrast the Wyman-hosted Fireside Theatre added an average half a million viewers per episode(the largest audience in the series history) and finished in the top 25 as the #1 show in its timeslot. Wyman's most direct competitor for the coveted female demographic The Loretta Young Show, also sponsored by P&G on NBC, didn't crack the top 30 shows for the 1955-56 season (it had been #27 in the season prior).
Lafferty, William. "'No Attempt at Artiness, Profundity, or Significance': 'Fireside Theater' and the Rise of Filmed Television Programming." Cinema Journal (1987): 23–46 online.
Seger, Linda. "When Women Call the Shots" Henry Holt and Company (1996): 26, 31–32, 45, 58–59