Filmed in Supermarionation tells the story of the development of Supermarionation, a term coined to describe the unique form of puppetry employed by the teams at AP Films and Century 21 studios under the watchful eyes of Gerry and Sylvia Anderson. The documentary is hosted by Lady Penelope and Parker, puppet stars of Thunderbirds, who seek to uncover the story behind their creation.[2]
Production
Filmed in Supermarionation is notable for the filmmakers' efforts to create new puppet and special effects sequences that match the look and feel of the programmes produced by AP films during the 1960s. Dialogue was recorded with members of the original Thunderbirds voice cast and puppets and sets were recreated to as close to the specification of the original Supermarionation series as possible. In addition to attempting to recreate 1960s film-making techniques, 21st century methods were also employed in the interest of matching the original productions. Although special effects sequences were shot on 35mm film stock, puppet sequences were captured digitally. This allowed for the image to be manipulated in post production to better match the unique qualities of 1960s film photography. The digital workflow also allowed for wire removal and digital set extensions to be utilised.[3]
Apparently, Century 21 stills photographer Doug Luke was interviewed for the documentary, but is neither on it nor the deleted scenes.[4]
Reception
Upon release, Filmed in Supermarionation was generally well received by critics across a wide range of publications.[5]Peter Bradshaw of The Guardian gave the film four stars, writing that "There is something very romantic about this success story of British entrepreneurial creativity."[6] Rich Trenholm of CNET was similarly positive, stating, "the documentary's vibrant storytelling captures the vitality, innocence and sense of joy of the series themselves".[7]
Empire Online rated the film four out of five, commenting that "aficionados will relish this mix of clips, gossip and nostalgia".[8] Meanwhile, The Sussex Express gave five out of five, calling the film a "fitting tribute".[9]Total Film's Neil Smith considered it "lovingly assembled".[10] However, Time Out described it as "overlong and overexcited".[11]
Martin Townsend, in his New Year's editorial for the Sunday Express, enthused: "The likes of Apple and Microsoft may be very impressive companies, but if I wanted to inspire children to be creative entrepreneurs I'd show them the Supermarionation film."[12]
