Felix Mikhailovich Sobolev (1931–1984) was a SovietUkrainian documentary filmmaker and a founder and leader of the Kiev School of Scientific Cinema. He received numerous honours for his works, including Honored Artist of the Ukrainian SSR, the MV Lomonosov Prize of the Academy of Sciences of the Soviet Union and the USSR State Prize.
In 1959, Sobolev began working for Kievnauchfilm (a.k.a. the Kyiv Film Studio of Popular Science Films), a state film studio in Kyiv. In 1973, he became artistic director of the studio of scientific cinema at his alma mater.[1]
In the mid-1960s, Sobolev revolutionized the concept of popular science cinematography. His films The Language of Animals [ru] (1967), Do Animals Think [ru] (1969) and Seven Steps to the Horizon [uk] (1968) were broadly popular, selling out cinemas. His "experiment in the frame" technique made the audience member a witness to experiments proposed by scientists.[3][4] By the 1970s, Sobolev became disillusioned with the physical sciences, according to his student Alexander Rodnyansky, and began to make films about psychology.[5] Radical for its time, his 1971 film Me and Others [uk] made the audience part of an experiment on conformal behaviour and group pressure.
The direction of his work changed with the 1974 short film Biosphere! Time of Awareness [ru], a film essay about the world and a person's place in it. This was followed by the 10-minute film Feat which was shot in close quarters. Both films made intensive use of combined filming[further explanation needed] and had significant impact on the development of non-fiction films of the time.
In Cinema Art, Sergey Trimbach writes that Sobolev was at the center of one of the two great film movements in Kyiv in the 1960s and 1970s. The other circle was led by Armenian filmmaker Sergei Parajanov, who was censured as his cinematic style opposed Soviet principles. In contrast, Sobolev continued the tradition of Russian intelligentsia, believing in the endless potential of human capabilities, as in his 1978 film Dare, you are talented.[3] Yet, he was not politically motivated, basing Exploded Dawn on the work of a dissident and taking political risks by examining conformity and free thought in Me and Others.[4] Sobolev came into conflict with the party committee over Kyiv Symphony (1982), the last film he completed, which was re-edited seven times to meet political demands and left Sobolev angry and with a damaged reputation.[4]
F. Sobolev Street in Kyiv was named for him, with a memorial plaque at 17 Franka Street. Another memorial plaque at 19 Chervonotkatska Street [uk] in Kyiv states: Here during the years 1964–1981 one of the geniuses of Ukrainian and world cinema Felix Sobolev (1931–1984) lived and worked here.[8]
Sobolev is the subject of the nine-part 1998 documentary series Felix Sobolev, Mission Interrupted (Ukrainian «Фелікс Соболев. Увірвана місія») by his student and colleague Olender[11][1][6] and of a film of the 2012 "Native People" series by Yulia Rudenko.
^ abcdeZelinsky, Yuri (18 March 2000). "Звезда Феликса Соболева" [Star Felix Soboleva] (in Ukrainian). Зеркало недели (Mirror of the Week). Archived from the original on 10 June 2022. Retrieved 24 October 2012.
Фурманова 3. Шаги за горизонт: Фильмы о науке кинорежиссера Феликса Соболева. [Steps beyond the horizon: Films about the science of film director Felix Sobolev] М., 1987;
Митці України. [Artists of Ukraine] К., 1992. — С.540;
Мистецтво України: Біографічний довідник. [Art of Ukraine: Biographical reference book] К., 1997. — С.550;
