Famous Blue Raincoat: The Songs of Leonard Cohen is the sixth studio album recorded by the American singer Jennifer Warnes. It debuted on the Billboard 200 on February 14, 1987, and peaked at No. 72 in the US Billboard chart, No.33 in the UK albums chart, and No.8 in Canada. Originally released by Cypress Records (RCA Records in the UK), it was reissued by Private Music after Cypress went out of business. It is the only Jennifer Warnes album to make the UK albums chart (up to September 2014).
The idea for the album originated when Cohen assisted Warnes with the lyrics of "Song of Bernadette" while on tour in 1979. Warnes had suggested the album at Arista Records and later MCA Records with no luck. The album's producer, C. Roscoe Beck said, "Leonard seemed to be A&R poison."[1]
The album is the first record produced by Roscoe Beck.[2] The liner notes include a cartoon by Cohen of a torch being passed with the caption, "Jenny Sings Lenny."
In August 2007, a remastered and expanded 20th anniversary edition was released by Private Music with four bonus tracks.
Writing retrospectively for Allmusic, music critic William Ruhlmann wrote of the album
Where other singers tended to geld Cohen's often disturbingly revealing poetry, Warnes, working with the composer himself and introducing a couple of great new songs ("First We Take Manhattan" and "Song of Bernadette," which she co-wrote), matched his own versions. The high point may have been the Warnes-Cohen duet on "Joan of Arc," but the album was consistently impressive... For Warnes, the album meant her first taste of real critical success: suddenly a singer who had seemed like a second-rate Linda Ronstadt now appeared to be a first-class interpretive artist.[3]
In reviewing the reissue, Steve Horowitz of PopMatters noted, "This anniversary edition... may finally give the album the acclaim it initially deserved."[5] Peter Gerstenzanga of The Village Voice wrote after the reissue,
As much as one admires Warnes's taste in songwriters, the unadorned truth is that Cohen's dark, grave voice is a better instrument for his songs. Also, his original arrangements—from solo-guitar bare to brass-band ironic—are more fitting than the slick stuff here. Stevie Ray Vaughan playing processed blues licks on "First We Take Manhattan"? Inappropriate. Smoky sax on the title track? It's a meditation on betrayal and revenge, not a lounge song. Furthermore, Warnes's melismas (think a less histrionic Ronstadt) sound sweet, not murderous.[6]
Track listing
All songs written by Leonard Cohen except where noted.
