F. Lennox Campello is an American (born in Cuba, 1956) artist, art critic, author, art dealer, curator, and visual arts blogger.[1][2][3] In 2016 The Washington City Paper called him "one of the most interesting people of Washington, DC."[4]
This body of works was started in the 1970s while the artist was in art school, and uses the shape/map of the island of Cuba as the unifying element in paintings, prints and drawings.[22][23][2] In the works, the island is often depicted as behind jail bars[24][19] (such as on the cover of the poetry book Cuba in Verse: The Island Behind Bars by Ada Bezos, Editorial Betania (2012) ISBN978-8480174008), or with oars,[22] or surrounded by tears,[25] etc.
This series focuses on interpreting the tattoo artwork of the original people of Scotland, known as the Picts.[30][31] Campello was exposed to Pictish culture while living in Scotland in the 1990s,[11] and began focusing a series of drawings and paintings which over the years have interpreted and reproduced the Pictish tattoos on a variety of male and female nude studies.[32][33][34]
Awards
Campello was awarded the 1979 First Prize (Drawing) by Renton Art Society Renton, Washington,[18] 1981 First Prize (Drawing). from the Keene-Mason Gallery National Competition New York, NY, 1981 First Prize (Printmaking), Whipple Gallery National Competition, Marshall, MN, the 1995 Best of Show at the 20th Princess Anne Art Show in Virginia Beach, VA,[35] Best of Show at the 1996 Festival in the Park in Roanoke, Virginia,[35] and the Best in Show at the 2007 Stockley Gardens Art Festival in Norfolk, VA.[35] He was most recently awarded a Maryland State Arts Council Individual Artist Award in 2019,[36] and one of his works was acquired in 2018 for the permanent collection of Montgomery County, Maryland.[37]
Reviews
In a review of his 1996 exhibition of portraits of Internet porn stars, The Washington Post noted that his artwork "manages to find a delicate balance between the black charcoal and cream-colored paper resulting in a grainy, film-noir effect, making his subjects, traffickers in mass-consumption prurience, seem tough but vulnerable, like a flowering plant in a sexual wasteland."[38]
A more recent review of his 2017 solo show in The Washington Post explained that "His technique is classical, but he sometimes incorporates a contemporary technology: embedded video. “Portrait of You” features a live feed of the picture's viewer, and “Cuban by Ancestry, but American by the Grace of God" (seen last year at the American University Museum) chronicles his family history on a video loop."[2] In reviewing the same show, The Washington City Paper noted that the solo show focused "on a couple of his far-ranging "artistic obsessions," as he calls them, from Frida Kahlo to the Book of Genesis to the Picts of Scotland."[31]
American art critic Dr. Claudia Rousseau observed that "Campello is a prolific artist who has had an interesting and compelling trajectory of work since the 1980s."[2][14][38][31][39]Brickell Magazine described him as "a thought leader in the world of the arts on a global scale."[40] In 2020 The Washington City Paper characterized him as a "prominent figure" in discussing artistic responses to the COVID-19 pandemic,[41] and a year later described one of his works at The Phillips Collection as a "clever combination of low and high tech, pairing a simple charcoal drawing of a child looking at her reflection, which is shown as a revolving series of electronic images of diverse faces."[42] In 2022, during the annual Art Basel Miami Beach week of art fairs in Miami, he was described as one of the "most intriguing creative minds in the city."[43]
Solo shows
1979 The HUB Gallery. University of Washington. Seattle, Washington[18]
1981 Arts Northwest Gallery. Seattle, Washington[44]
2020 Featured Artist, Art on Paper Fair, New York, NY[56]
Blogger
His blog, Daily Campello Art News has been published since 2003 and has been called "indispensable",[57] and also "a bona fide fixture"[58] by the Washington City Paper, which also credits the blog with being the potential "inventor" of the ubiquitous acronym "DMV" to refer to the Greater Washington, DC area (it stands for District, Maryland, Virginia).[59] The local CBS TV station included it in its "Best Local Bloggers" list.[60] The blog is included in the various "Top 100 Art Blogs in the World" listings,[61] and in 2022, the blog was listed as the 11th top ranked art news websites in the world.[62]
Books
Campello is the author of 100 Artists of Washington, DC,[63][64] Schiffer Publishing, Ltd. (June 1, 2011) ISBN978-0764337789. He is also the cover artist for Cuba in Verse: The Island Behind Bars by Ada Bezos, Editorial Betania (2012) ISBN978-8480174008, and the cover artist and interior illustrator for Winging It!-In Europe by Linda and Jim Stringer, Suncity Pub (January 1, 1993) ISBN978-1882410002
Gallerist
In 1996 Campello, together with his then wife, the British photographer Catriona Fraser, co-founded the Fraser Gallery in the Georgetown neighborhood of Washington, DC.[46] In 2002 they opened a second gallery in Bethesda, MD.[65] The two galleries closed in 2011,[66] as the couple had divorced earlier,[58] and Campello had moved to Philadelphia in 2006,[67] where he lived until 2009, before returning to the Washington, DC area in 2010.
Curator
Campello has curated many visual art shows,[68][69][70] most generally around the Greater Washington, DC region, including several seminal art shows focused on dissident Cuban artists,[71][72][73] and has been referred to as "one of the most well known faces on the local art scene."[71]
