The European Film Fund (EFF), also known as the European Relief Fund, was a non-profit organization established by the talent agent and producer Paul Kohner.[1]
The fund collected and distributed money, some filmmakers donated one percent of their fees. For example, Michael Curtiz and William Wyler, both Jewish and, respectively, of Hungarian and Swiss-German origin, were especially generous. Furthermore, there were earnings from benefit performances.
In the early 1940s the fund earned about $40,000. Some persons were supported by credits, others by donations. Several beneficiaries of the EFF got jobs in the film industry (esp. at Metro-Goldwyn-Mayer and Warner Bros.) as screenwriters.[4] These jobs weren't paid very well but they often were the precondition for getting visas. Many European filmmakers couldn't repay the money, because they didn't find well paid jobs.
The more clear-headed émigrés understood very soon that these salaries paid them by Hollywood were fictitious, at least when the realized that, while they earned $100 or $200 a week for completely useless work, a real screen writer earned $3,500. It was quite symbolic that once their contracts expired[…].[5]
^Adorno, Theodor W./ Eisler, Hanns / McCann, Graham: Composing for the Films. Continuum International Publishing Group, 2005. p. XIV)
Further reading
Asper, Helmut G. "Etwas Besseres als den Tod-- " Filmexil in Hollywood: Porträts, Filme, Dokumente. Marburg: Schüren, 2002. p. 236–249. ISBN978-3-894-72362-0OCLC606809541