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Elizabeth Walton Vercoe
Elizabeth Walton Vercoe
Born	April 23, 1941 (age 83); Washington, D.C., United States
Occupation(s)	Musician, music educator, composer
Instrument(s)	Piano, clarinet, violin
Labels	Owl, Capstone, Leonarda, Centaur, Navona

Elizabeth Vercoe (born April 23, 1941) is an American musician, music educator and composer.

Biography

Born in Washington, D.C., Elizabeth Vercoe grew up in a musical family and studied the classical piano and the violin while attending the National Cathedral School. From 1958 to 1962, she studied music theory at Wellesley College where she was awarded the Hubert Weldon Lamb Prize in Composition. Following college, Vercoe began graduate school at the University of Michigan where she pursued a Masters of Music degree in composition, studying under George Wilson, Ross Lee Finney and Leslie Bassett. In 1974, Vercoe entered the doctoral program in music composition at Boston University where she was mentored by the composer, Gardner Read and was awarded First Prize in Music Theory and Composition and was elected to Pi Kappa Lambda, the national music honor society.

Her teaching posts have included a position in music theory on the faculty at Westminster Choir College in Princeton, New Jersey, a year at Framingham State College in Massachusetts, and her current job since 1997 as an adjunct professor at Regis College.^[1]

Vercoe has won a number of national and international composition competitions and received grants from the National Endowment for the Arts, Meet the Composer, and the Massachusetts Arts Council. She has also received fellowships from the Cité internationale des arts in Paris, from 1983 to 1985 for three separate residencies in France, and she has also been a Fellow at the MacDowell Colony, the Charles Ives Center for American Music, the Virginia Center for the Creative Arts, and the Civitella Ranieri Foundation in Italy. In 2003 Elizabeth Vercoe was awarded the Acuff Chair of Excellence at Austin Peay State University for a semester residency in which she gave public lectures, coached performances of her music, and was commissioned to write new work.^[2]

Notable performances include those by the Memphis Chamber Orchestra, the Pro Arte Chamber Orchestra, the Berkshire Symphony Orchestra, the Women's Philharmonic, the Aeolian Chamber Players, the New York Virtuoso Singers, Alea III, and the Great Noise Ensemble, and at such venues as the Amalfi Coast Festival, the Goethe Institute in Bangkok, the Marblehead Festival, the Svenska Mandolinfestivalen, Carnegie Recital Hall, the Salle Cortot, IRCAM, the Piccolo Spoleto Festival, Abraham Goodman House and Merkin Hall. In 2014 her Elegy for viola and piano was performed in Bruno Walter Hall at Lincoln Center on the 75th Anniversary Concert of the American Music Center.^[3]

Her recorded music is issued on the Owl, Capstone, Leonarda, Centaur and Navona labels, and she is published by Arsis Press, Noteworthy Sheet Music, and Certosa Verlag.^[4]

Works

Selected works include:

A Dangerous Man (staged monodrama for baritone and piano), 1990
A la fin-tout seul (for mandolin and optional piano), 1985, Plucked String Editions
American Fancy (for two pianos), 2000
Balance (for violin and cello), 1974, Arsis Press ^[5]
Butterfly Effects (for flute and harp), 2008-9, Noteworthy Sheet Music ^[6]
Butterfly Effects (arranged for oboe and harp) 2010, Certosa Verlag
Changes: A Little Music for Mozart (for chamber orchestra), 1991
Despite our differences #1 (for violin, cello and piano), 1984
Despite our differences #2 (for piano and chamber orchestra), 1988
Eight Riddles from Symphosius (for contralto & piano), 1964
Elegy (for viola and piano), 1989
Fantasy (for piano), 1975, Arsis Press ^[7]
Fantavia (for flute and percussion), 1982, Noteworthy Sheet Music ^[6]
Four Humors (for clarinet and piano), 1992
Five Inventions (for horn and piano), 2005
Five True Remarkable Occurrences (for mezzo & guitar), 2008
God Be in My Head (for women’s or mixed chorus & keyboard), 1995, Arsis Press ^[8]
Herstory I (for soprano, piano & vibraphone), 1975
Herstory II: 13 Japanese Lyrics (for soprano, piano & percussion), 1979, Arsis Press ^[5]
Herstory III: Jehanne de Lorraine (for mezzo or soprano & piano), 1986, Arsis Press ^[9]
Herstory IV (for mezzo or soprano & mandolin or marimba), 1997
In the Storm (for mezzo-soprano, clarinet & piano), 1989
Irreveries from Sappho (for mezzo or soprano & piano), 1981, Arsis Press ^[9]
Irreveries from Sappho (for SSA chorus & piano), 1985, Arsis Press ^[8]
Irreveries from Sappho (duet for soprano, mezzo-soprano & piano), 1985[?]
Kleemation (for flute and piano), 2003, Noteworthy Sheet Music ^[6]
Nine Epigrams from Poor Richard (for voice & tape), 1986
Rhapsody (for violin and orchestra), 1977
Sonaria (for solo cello), 1980, Arsis Press ^[5]
Supplication (for piano), 1994, League ISCM Boston, Piano Book
To Music (for solo flute), 2003, Noteworthy Sheet Music ^[6]
This is my letter to the World (for voice, flute & piano), 2001
Umbrian Suite (for 4 hands or 2 pianos), 1999, Certosa Verlag
Varieties of Amorous Experience (for soprano & piano), 1994^[3]

Selected discography

Butterfly Effects, Navona Records, November 9, 2018. Includes "Butterfly Effects", "This is My Letter to the World", "Elegy", and "Herstory I".^[10]

Kleemation, Navona Records, October 30, 2012. Includes "Fantasy", "Irreveries from Sappho", "Herstory II: Thirteen Japanese Lyrics", "To Music", and "Despite our differences #1".^[11]

References

^ Burns, Kristine Helen (2002). Women and music in America since 1900: an encyclopedia: Volume 2. Greenwood Press. ISBN 9781573563093. Retrieved November 11, 2010.
^ Sadie, Julie Anne; Samuel, Rhian (1995). The Norton/Grove Dictionary of Women Composers. London: The Macmillan Press Limited. pp. 473–474. ISBN 0333515986.
^ ^a ^b Capaldo, Jennifer Rebecca (2008). "Composing Her Story" (PDF). Retrieved September 27, 2010.
^ "Elizabeth Vercoe". Archived from the original on July 22, 2010. Retrieved September 27, 2010.
^ ^a ^b ^c Instrumental Music, Arsis Press, retrieved June 6, 2019.
^ ^a ^b ^c ^d Vercoe (various pages by title), Noteworthy Sheet Music, retrieved June 6, 2019.
^ Keyboard Music, Arsis Press, retrieved June 6, 2019.
^ ^a ^b Choral Music, Arsis Press, retrieved June 6, 2019.
^ ^a ^b Vocal Music, Arsis Press, retrieved June 6, 2019.
^ Butterfly Effects, Navona Records, retrieved January 24, 2019.
^ Kleemation, Navona Records, retrieved June 6, 2019.

[1] Burns, Kristine Helen (2002). Women and music in America since 1900: an encyclopedia: Volume 2. Greenwood Press. ISBN 9781573563093. Retrieved November 11, 2010.

[2] Sadie, Julie Anne; Samuel, Rhian (1995). The Norton/Grove Dictionary of Women Composers. London: The Macmillan Press Limited. pp. 473–474. ISBN 0333515986.

[bio-3] Capaldo, Jennifer Rebecca (2008). "Composing Her Story" (PDF). Retrieved September 27, 2010.

[4] "Elizabeth Vercoe". Archived from the original on July 22, 2010. Retrieved September 27, 2010.

[arsis-5] Instrumental Music, Arsis Press, retrieved June 6, 2019.

[noteworthy-6] Vercoe (various pages by title), Noteworthy Sheet Music, retrieved June 6, 2019.

[arsiskeyboard-7] Keyboard Music, Arsis Press, retrieved June 6, 2019.

[arsischoral-8] Choral Music, Arsis Press, retrieved June 6, 2019.

[arsisvocal-9] Vocal Music, Arsis Press, retrieved June 6, 2019.

[10] Butterfly Effects, Navona Records, retrieved January 24, 2019.

[11] Kleemation, Navona Records, retrieved June 6, 2019.

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PROFILPELAJAR.COM

Elizabeth Walton Vercoe

Biography

Works

Selected discography

References

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