Elinor Sweetman (c. 1860/1861 – 1922) was a Victorian era Irish poet and author who worked with both her sisters.^{[1][2][3][4][5]}

Elinor Mary Sweetman was born in County Dublin to Michael James Sweetman (1829-1864), of Lamberton Park, Queen's County, JP, High Sheriff of Queen's County in 1852, and (Mary) Margaret, only child and heir of Michael Powell, of Fitzwilliam Square, Dublin. She had two brothers and three sisters. The Sweetman family were landed gentry of Longtown, County Kildare, and per family tradition were "long settled in Dublin" and "previously resident near Callan and Newtown, County Kilkenny", tracing their line back to the mid-1500s.

After her father's death, when she was a small child,^[6] the remaining family moved to Brussels in 1873 and she spent her summers in Switzerland.^[7] Her sisters, Agnes and Mary Elizabeth were also writers.^[8] With her sisters she began two family magazines: the ‘Ivy Home Magazine’ and ‘Ivy Home Library’.Her poetry was used in several of her sisters' novels.^[1][9][10] She remained unmarried and was one of her mother's heirs after her death in 1912.^[11][5][10]

Sweetman was a poet and writer published in magazines and periodicals as well as in collections of poetry and her own folios. Her work was often illustrated by well known artists of the day including Arthur Wallis Mills and Elizabeth Gulland.^[12][13][14] Though she has largely been ignored as a writer she was critically celebrated at the time and is a clear example of the poetry of women at the time discussing religion and romance.^{[15][16][17][18][19]}

• Carmina Mariana; an English anthology in verse in honour of or in relation to the Blessed Virgin Mary, Edited by Shipley, Orby, 1832-1916, ed; Publication date 1894; Publisher London, New York : Burns and Oates
• Footsteps of the Gods and other poema (1893)
• Pastorals and other poems (1899)
• The wild orchard (1911)
• Psalms, verse (1911)
• The Oxford Book Of Victorian Verse (1912)
• Alfred Perceval Graves (1972). The Book of Irish Poetry, Edited with an Introd. Books for Libraries Press. ISBN 978-0-8369-6345-8.

• P.Villar (2008). The Poetry of Eavan Boland: A Postcolonial Reading. Academica Press, LLC. pp. 96–. ISBN 978-1-933146-23-2.
• "Paganism in England 1885-1914" (PDF).
• Christopher Riches; Michael Cox (29 January 2015). A Dictionary of Writers and their Works. OUP Oxford. pp. 1–. ISBN 978-0-19-251850-7.
• Jane Dowson; Alice Entwistle (19 May 2005). A History of Twentieth-Century British Women's Poetry. Cambridge University Press. pp. 12–. ISBN 978-0-521-81946-6.
• Anna Pilz; Whitney Standlee (March 2018). Irish Women's Writing, 1878-1922. Oxford University Press. pp. 66–. ISBN 978-1-5261-2711-2.
• Rebecca Anne Barr; Sarah-Anne Buckley; Laura Kelly (2015). Engendering Ireland: New Reflections on Modern History and Literature. Cambridge Scholars Publishing. pp. 174–. ISBN 978-1-4438-8307-8.
• Stephanie Barczewski (2 March 2000). Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood. OUP Oxford. pp. 221–. ISBN 978-0-19-154273-2.
• Lucy Collins (8 June 2012). Poetry by Women in Ireland: A Critical Anthology 1870-1970. Oxford University Press. pp. 265–. ISBN 978-1-84631-723-1.
• Meynell, Alice (February 1894). "Miss Elinor Sweetman's Poems". Merry England; London. 22 (127): 292–294.

• Works by or about Elinor Sweetman at the Internet Archive

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