Eli was a commission from the city of Dortmund[2] as the first world premiere to be performed at the new Opernhaus Dortmund which was inaugurated in 1966.[3] The composer wrote the libretto[2] for the opera in three acts (12 scenes) based on a 1943 mystery play by Nelly Sachs.[4] The city of Dortmund awards a literature prize in her name, the Nelly Sachs Prize.[3] Her play was first entitled Eli: Ein Legendenspiel vom Leiden Israels (Eli: A mystery play of the sufferings of Israel), later changed to Eli: Ein Mysterienspiel...[5] It was premiered by Theater Dortmund on 14 March 1962.[4] The opera was published by Bärenreiter.[2]
The action is in single episodes, without a plot. It is set in a Polish village right after World War II, where a Jewish boy, Eli, was slain by a German soldier during a pogrom, and is remembered in various ways.[6]Walter Steffens, a resident of Dortmund,[7] worked on the composition from 1964 to 1966.[4][1]
Second Voice / A Blind Girl / A Carpenter / A Child / A Postman / First Tree / A Doctor / A Voice
speaking roles
Brick layers / Praying Group / Voice from the Chimney / Voices of the Fingers / Voice of the Lecturer's Finger / Choir in the orchestra
choir
Rough Man's Voice / Hissing Sounds / A Finger / A Long Bony Finger / Voice of the Lecturer's Finger
tape
Reception
A reviewer from Süddeutsche Zeitung noted that Steffens transports the poetry to a different level of emotional intensity.[8] He described the vocal and instrumental lines as expressive and melodic ("Expressiv-melodische Diktion"), and the electro-acoustic parts as unreal voices.[8]