Her work as an author, historian and lecturer was key to the opening of the National Museum for Women in the Arts in 1974. The collection gathers her papers on biographical data, correspondence, professional material, essays, articles, student papers, and manuscripts covering the years between 1927 and 1991, with the bulk of the materials from 1970 to 1988.[1]
Early and personal life
Tufts was born in Exeter, New Hampshire in 1927 to a businessman and a schoolteacher.[2] She graduated from Simmons College with a B.S. in Spanish in 1949,[2] after which she worked as an executive secretary at Boston University before returning to school for her master's. She earned her master's degree in Art History from Radcliffe College in 1957.[2] She later earned a Ph.D. from the Institute of Fine Arts at New York University.[3]
In 1974 Tufts befriended Texas art historian Alessandra Comini;[4] they developed a shared feminist approach toward art and made a shared home together in Dallas as life partners.[5] They spent summers tracking down works by women artists, for their books to raise curatorial awareness of important works by women that had been relegated in storage.[6]
Tufts received her Ph.D. from New York University's Institute of Fine Arts in 1971. She defended her dissertation on Spanish artist Luis Egidio Meléndez under the direction of José Lopez-Rey. After receiving her doctorate, she was appointed full professor of art history and chair of the Division of Art at Southern Methodist University in Dallas, Texas.[2]
In 1985, she helped organized a Meléndez exhibition at the National Academy of Design in New York City.[7] In 1987 the first director of the National Museum of Women in the Arts, Anne-Imelda Radice, asked Tufts to curate the traveling exhibition, "American Women Artists, 1830–1930", a show that received extensive and controversial coverage.[8][9]
Tufts served as a member of the editorial board of the Woman's Art Journal until the end of her life, and was replaced by Comini after her passing.[10]
