In 1961, Schiffauer and other students established the theatre Divadélko Pod okapem (Little Theatre under the Gutter), which became an Ostravian equivalent of the Semafor Theatre, in Prague. Furthermore, he was involved in the foundation of the theatre Divadlo Waterloo (Waterloo Theatre) and wrote the music for the musical Syn Pluku (op. 3) (Son of the Regiment) in 1968. Later, the Waterloo Theatre was banned by the authorities in the normalization era in Czechoslovakia and a large-scale court trial was held with those involved in the theatre. Schiffauer was expelled from the Academy of Performing Arts and sentenced to nine months of imprisonment as a result of having composed for Syn Pluku.
He served his sentence in the prison in Plzeň-Bory, wherein he wrote the children's opera Vrať nám, ptáku, hastrmana (Bring us Hasterman back, Bird) with the author Ivan Binar, his friend and later Charter 77 signatory.[4] Schiffauer was employed as a worker and was being permanently interrogated by the State Security Police throughout the normalization era.[1] This experience was briefly summarized by Schiffauer in an interview published on YouTube in February 2019.[5]
This piece was premiered on 2 December 1969 in the theatre Waterloo.[6]
2
Pamphlets
1969
Czech/original: Pamflety. This is a collection of scenic music and songs.
This piece was premiered on 14 January 1969 in the Theatre Waterloo.
3
Son of the Regiment
1969
Czech/original: Syn Pluku.
This satirical musical was the cause of Schiffauer's arrest in 1972.[1]
This music was premiered 1 April 1969 in the Theatre Waterloo.
4
Rural Christmas Mass
1969
Czech/original: Venkovská Vánoční mše.
Words by Ivan Binar.
This is one of Schiffauer's most well-known compositions.
This piece is included in a CD named "Vánoce" (Christmas) (the CD also contains op.17 and op.21) released in 1998.
This mass was premiered in the Church of Mokré Lazce by the Kostelní sbor a orchestr v Mokrých Lazcích (Church Choir and Orchestra of the Mokré Lazce).[7]
Music to Go with White Wine (Best if from a Barrel)
1992
Czech/original: Hudba k bílému vínu (Nejlépe sudové).
This composition was included in a CD.
15
...and the Flower Remains
1993
Czech/original: ...a kytička zůstává.
Written for flute, cello and piano.
Upon the death of Schiffauer's mother, Marta Schiffauerová, he found himself stricken by grief. This composition was, in a way, a therapeutic outlet for the composer's sorrow. The title derives from Schiffauer's memory of his mother's funeral, at which her coffin was adorned by a flower, the final ornament of her coffin (and thus indeed of her existence) that was perceived by the composer before she was ceremoniously taken away.
16
Crusade
1994
Czech/original: Křížová výprava.
This is a scenic oratorio buffo.
17
Christmas Singing at Home, or Elsewhere
1994
Czech/original: Vánoční zpívání doma, i jinde.
Written for mixed choir.
This collection of carols from all over the world edited by Schiffauer was included in a CD named "Vánoce" (Christmas) (the CD also contains op.4 and op.21) released in 1998.
18
A Hare, a Hare!
1995
Czech/original: Zajíc, zajíc!.
This is music for theatre.
19
Ondras and Juras, Lord of the Bald Mountain
1996
Czech/original: Ondráš a Juráš, Pán Lysé hory.
This is a tragic opera comedy.
20
Whispers
1996
Czech/original: Šepoty.
Written for female voice and a string trio.
21
Three Small Christmas Pastorels
1997
Czech/original: Tři malé Vánoční pastorely.
Written for a wind octet.
These three pieces were included in a CD named "Vánoce" (Christmas) (the CD also contains op.4 and op.17) released in 1998.
22
Clevernesses
1998
Czech/original: Chytrosti.
Written for 3 female voices and a magnetic tape.
23
Singing about Rusalka
1998
Czech/original: Zpívání o Rusalce.
This is music for theatre and for musical preparation.
24
Czardas for solo tuba
1999
–
25
Sinful Toccata, Prelude and Toccata for Organ
1999
Czech/original: Hříšná toccata.
26
Nausikaa
1999
This is music for theatre.
27
Sonatina II for French Horn and a Student Orchestra
1999
–
28
Returns
2000
Czech/original: Návraty.
Written for solo bayan.
29
Paraphrase on a Folk Song
2000
Czech/original: Úlety s lidovou písní.
Written for a female vocal trio, viola and guitar.
30
Pictures to Vernissage II, Correctly Music to Vernissage II
2001
Czech/original: Obrázky k vernisáži II, správně Hudba k vernisáži II.
Written for harp.
31
Scream
2002
Czech/original: Výkřik.
Written for a string orchestra.
32
Fragment of a Neu-Baroque Sonata
2002
Czech/original: Fragment neubarokní sonáty.
Written for a string orchestra and violin.
33
Little Moravian Suite or Moravian Suitek
2006
Czech/original: "Moravský Suitek".
Written for a clarinet quartet.
The "Suitek" is the name of a musical form invented by Schiffauer. The suffix "-ek" indicates a diminutive in Czech. Thus, "suitek" roughly translates to "little suite."
34
Chickens
2006
Czech/original: Slépky (a dialectal word for chickens).
Written for three flutes, a string orchestra and a whip.
35
Maid in Trouble
2008
Czech/original: Komorná v nesnázích.
Written for a soprano and violin.
36
Five on Five
2020
Czech/original: Za pět na pět.
Written for cello, piano and percussion instruments.
A march composed of two movements.
37
Three-Flute Pele Mele for Fiala the Rabbit
2021
Czech/original: Třífletnové pelemele pro králíka Fialu.
Written for three flutes and various percussion instruments.
The composition is composed of six movements, each a counterpart of a chapter of a tale written by Schiffauer's friend Ivan Binar, a fellow former inmate (who also wrote, notably, the plot for Op. 5), named Králík Fiala (Fiala the Rabbit).
Collaborative composition involving Schiffauer as well as his great-nephew Jakub Edward Schiffauer Medraj and his brother Leopold Jiří Schiffauer, whereby each composer wrote a continuation, however long as deemed natural, on material written by another participant precedingly. This was carried out in 2020–2021, the three composers sending each other their continuations back and forth across the Atlantic Ocean (hence the title). Later, in 2022, the entirety of the work was revised and molded together by Schiffauer Medraj, filling gaps, rearranging, and adding more coherent transitions as suit a more natural flow of the music.
Unknown dates
Title
Notes
But I, I...
Czech/original: Ale já přece....
This is a dark grotesque opera.
Just like Tree Trunks
Czech/original: Jako kmeny stromů.
Written for a symphonic orchestra.
Jotunheimen, Sonata II for Solo Cello
–
Moravian Boy on a Crossing in Sydney
Czech/original: Kluk z Moravy na přechodu v Sydney.
Written for solo piano.
About Love with Us
Czech/original: O lásce u nás.
Written for voice and piano.
A Fairytale about Love, Fantasy in three Parts
Czech/original: Pohádka o lásce, fantazie ve třech částech.
This piece appeared in a CD released in 2011 named "Czech and Moravian Oboe Music".[23]
This composition was once performed on 11 January 2013 by Czech oboist Marlen Vavriková in the Madsen Recital and was assisted by BYU faculty pianist Jeffrey Shumway.[24]
Seven Variations for Piano
Czech/original: Sedm variací pro klavír.
The Happy Prince
Czech/original: Št'astný princ.
Written for two female voices, recitation, violin and guitar.