Mike Hobart, wrote in the Financial Times that "Trible has been forging his particular slant on spiritual-modal jazz for decades, delivering his love-is-the-answer message with clear diction, rich tones and a beautifully controlled vibrato. Trible's sonic range adds a dash of Isaac Hayes gravel to the imperious sonorities of Barry White, and, like them, he steeps his voice in the inflections of gospel-soul and the blues. But, having worked with the likes of Pharaoh Sanders and Charles Lloyd, he is equally in control of the nuances and demands of jazz."[1]
Andrew Gilbert wrote in JazzTimes that "few musicians have done more to cultivate the L.A. [jazz] scene over the past four decades" than Trible.[2]
