On her earlier years growing up in Shanghai, Du Yun recounted, in her contribution to WQXR, that neither of her parents went to college and both were factory workers in China.[10]
When Du Yun studied in junior high school in Shanghai, she collected cassette tapes from singer Faye Wong, Chen Sheng, Dou Wei, Pink Floyd and Michael Jackson. She counts Dou Wei and Faye Wong among the Chinese pop musicians who have had the most influence on her musical life. She credits filmmakers Wong Kar-Wai and Quentin Tarantino as some of the major influences on her style.[11]
During her first year of college, British band Portishead released a new album, and Du Yun fell into the world of trip hop. Her psychedelic style was later used in many of her works, and in 2012, she released her first studio album, Shark in You, which featured a variety of styles, from experimental dance music to cabaret and jazz electronic music.
Director Stan Lai has collaborated with Du Yun twice. He said her music not only has the background of classical music, but also is multifaceted, influenced by pop and folk music.[12]
Career
I think artists should have the absolute freedom to work with however they want and however they wish to express. I also think that creating works engaging social topics is equally important and those things are not exclusive. More and more, I am concerned about human condition. Art just happen to be the means I know how to engage.
Du Yun won the Pulitzer Prize for Music for her opera Angel's Bone in 2017, making her the first Asian woman to win this prize in music.[14] The opera's production in Hong Kong in 2018 won the best of the performances of the year by the South China Morning Post.[15]
From 2014 to 2018, Du Yun was the Artistic Director of the MATA Festival in New York City.
An avid performer, Du Yun's engagements include the 2018 Lahore Biennial (Pakistan), the 2012 Guangzhou Art Triennial (Guangzhou Opera House, China), the National Academy Museum (USA), the inaugural Shanghai Project (China).[20] She also leads her band Ok Miss, which exists as both rock band and chamber music ensemble.
In 2020, China's leading record label, Modern Sky, announced its three-year record deal with Du Yun.[21]
Du Yun lives and works from New York City. She uses her whole name, Du Yun, not Du, for professional and personal uses.
On April 10, 2017, she was awarded the Pulitzer Prize for Music for her second opera, Angel's Bone.[22][23][24][25] The citation for the prize reads: "Premiered on January 6, 2016, at the Prototype Festival, 3LD Arts and Technology Center, New York City, a bold operatic work that integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world. Libretto by Royce Vavrek."[26]
She is the composer of the musical Dim Sum Warriors, based on a graphic novel and bilingual iPad app series about Kung Fu-fighting dumplings by the Singaporean filmmaker, satirist, and cartoonist Colin Goh and Yenyen Woo.[27]Dim Sum Warriors was made into a Chinese musical which was produced by Stan Lai. The musical debuted on August 11, 2017, to sold-out audiences at Theatre Above in Shanghai, and went on to tour in 25 major cities in China the following year.[28]
Her work with the Palestine artist Khaled Jarrrar, "Where We Lost Our Shadows", is based on a trip that Khaled took with a family of Syrian refugee from Greece to Berlin. The work was co-commissioned by Carnegie Hall, London's Southbank Centre, the Kennedy Center, American Composers Orchestra and CalPerformances. Its documentary was on the National Geographic's Human Journey series. The work is for three soloists, orchestra and video.[29]
Du Yun's performing persona on stage has been called "utterly extraordinary, unrestrained performance."[34]
Du Yun leads the band Ok Miss. According to The New Yorker, "the one predictable thing about Du Yun … is her unpredictability. Dig deeper, though, and you can sense the conjoined strands of curiosity and compassion that run through everything she makes. On the first two nights of her Stone residency, her art-pop band, OK Miss, ventures through breathy Chinese pop, seductive trip-hop, and metallic skronk."[35]
Visual art
Du Yun has done works for the Guangzhou Triennial,[36] The Shanghai Project,[37] Cordoba Contemporary Arts Center,[38] and the Sharjah Biennial.
Social work
Du Yun is an advocate for women, racial equality and social justice. In an interview with NPR on gender in classical music, she said: "I think this is the issue — larger and deeper than the debate of discrimination at hand. Any sustainable and viable career paths cannot and should not depend on a few people's luck."[39] Speaking to Foreign Policy on art's power in politics, she said: "A lot of times politics, global issues, are very black and white... There is a place for that, but it's also fantastic to have art side by side, from different viewpoints open for interpretations."[40]
Du Yun founded and curated the Pan Asia Sounding Festival at National Sawdust in March 2018, as part of the Spring Revolution.[41] "I want to demystify Asian culture. I want to question who owns the culture and bring together the divisions we have in society," she told the New York News Channel PIX11.[42]
Du Yun started a global initiative, FutureTradition, to advocate folk arts and promote cross-regional collaborations. The works involve many collaborations across regions.[43] When All About Jazz covered her keynote speech for the European Jazz Conference in 2019, Ian Patterson wrote:
Du highlighted Chinese opera and the Indian raga as examples of art forms whose traditions have been built on cultural and linguistic hybridity—the ever-evolving influence of geography and time. She could just as well have been talking about jazz. Culture, Du intimated, has always been about the embrace of new ideas. It was no contradiction in terms when Du called for both reverence and irreverence towards folk traditions.[44]
Critical reception
The music of Du Yun, who won the Pulitzer Prize for music in 2017, is difficult to classify, including aspects of, to quote her own website, "orchestral [music], opera, chamber music, theatre, cabaret, pop music, oral tradition, visual arts, electronics and noise."
Du Yun is regarded as a "leading force on the New York Scene,"[46] and "one of China's leading young composers."[47] Her onstage performing persona has been described as "adventurously eclectic" and "an indie diva with avant garde edge"[48] by The New York Times. She has been selected by NPR as one of the 100 most influential young composers under 40 in 2011.[49] She was named one of the top 35 female composers in classical music by The Washington Post.[50] Her work for Jennifer Koh, Give Me Back My Fingerprints, is listed as Top 25 Classical Music Tracks of 2019 by The New York Times.[51] Her studio albums Angel's Bone, Dinosaur Scar, A Cockroach's Tarantella and Sweet Land are listed as Notable Recordings of The Year in 2017, 2018, 2020, and 2021 respectively, by The New Yorker.[52][53][54]
In its decade review, UK's Classical FM listed Du Yun's winning of Pulitzer as No. 6 in "10 ways the 2010s changed classical music forever."[8]Rolling Stone Italia named her as one of the women composers who defined the 2010s.[9]
^"Asia Society Hong Kong Thirty Years"(PDF). www.asiasociety.org/sites/default/files/inline-files/Arts%20and%20Culture%20Virtual%20Gala%20Sponsorship%20Pack_4.pdf.html. Retrieved June 19, 2021.
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