Domenico Sarro

Domenico Natale Sarro, also Sarri (24 December 1679 – 25 January 1744) was an Italian composer.

Born in Trani, Apulia, he studied at the Neapolitan conservatory of S. Onofrio. He composed extensively in the early 18th century. His opera Didone abbandonata, premiered on 1 February 1724 at the Teatro San Bartolomeo in Naples, was the first setting of a major libretto by Pietro Metastasio. He is best remembered today as the composer of Achille in Sciro, the opera that was chosen to open the new Teatro di San Carlo in 1737.

Of his many intermezzi, 'Dorina e Nibbio' or L'impresario delle Isole Canarie (1724) has had an extensive performance history. With a libretto by Pietro Metastasio (his only comic libretto), it was performed often and imitated internationally (with versions by Albinoni, Gasparini, Leo, Martini and others). In recent years it was performed in the State Theatre of Stuttgart, the Bochum Symphony as well as the Semperoper Dresden.

In addition to his Operas and other large scale works, Sarro has written a considerable number of vocal cantatas which show great charm and inventiveness. 'Coronatemi il crin' for Alto, two violins and continuo, is perhaps his most well known cantata.

The only known depiction of Domenico Sarro is Nicolò Maria Rossi's painting of the Viceroy at the festa of the Quattro Altari in the Harrach collection, Sarro is one of the many composers depicted as part of the Neapolitan Court (La festa dei Quattro Altari, 1745)

Operas

Year Title Libretto First performance Partitura (stato e luogo di conservazione[1]) Note
1706 Il fonte delle grazie, oratorio 20 novembre 1706, Congregazione dei dottori della Chiesa dei Gerolamini di Napoli
1707 Il Vespesiano, Dramma per musica in 3 atti Carlo De Petris 1707, Teatro San Bartolomeo di Napoli
1708 Serenata a 3 voci (Amore, Eco e Narciso) 8 settembre 1708, Palazzo del duca d'Alvito di Napoli
1713 I gemelli rivali Nicolò Serino 11 febbraio 1713, Teatro dei Fiorentini di Napoli
1713 Il comando non inteso ed ubbidito Nicola Giuvo 15 maggio 1713, Teatro dei Fiorentini di Napoli
1716 Serenata nuziale a 3 voci G.G.Alberghetti 21 gennaio 1716, Palazzo del Principe di Montaguto di Napoli
1718 Armida al campo, Dramma per musica in 3 atti Francesco Silvani 13 febbraio 1718, Teatro San Bartolomeo di Napoli
1718 La fede ne' tradimenti (o Anagilda), Dramma per musica in 3 atti Girolamo Gigli 15 maggio 1718, Teatro San Bartolomeo di Napoli
1718 L'Eudamia ?
1718 Arsace, Dramma per musica in 3 atti Antonio Salvi 17 dicembre 1718, Teatro San Bartolomeo di Napoli
1719 Alessandro Severo, Dramma per musica in 3 atti Apostolo Zeno 14 maggio 1719, Teatro San Bartolomeo di Napoli
1720 Ginevra principessa di Scozia, Dramma per musica in 3 atti Apostolo Zeno 20 gennaio 1720, Teatro San Bartolomeo di Napoli
1720 Scherzo festivo fra le ninfe di Partenope, Serenata Domenico Gentile 28 agosto 1720, Teatro del Palazzo Reale di Napoli
1721 Serenata nuziale a 6 voci, Serenata 28 gennaio 1721, Palazzo del Principe della Rocca di Napoli
1721 Endimione, azione teatrale a 4 voci, in 2 parti Pietro Metastasio 30 maggio 1721, Palazzo del principe di Belmonte della Rocca di Napoli
1722 La Partenope, Dramma per musica in 3 atti Silvio Stampiglia 16 dicembre 1722, Teatro San Bartolomeo di Napoli with intermezzo Eurilla e Beltramme
1723 La caduta de decemviri, Dramma per musica in 3 atti (pasticcio) Silvio Stampiglia 26 dicembre 1723, Regio Teatro Ducale di Milano
1724 Didone abbandonata, Dramma per musica in 3 atti (1^ Versione) Pietro Metastasio 1º febbraio 1724, Teatro San Bartolomeo di Napoli
1724 L'impresario delle Canarie (o Dorina e Nibbio), Intermezzo in 2 parti Pietro Metastasio 1º febbraio 1724, Teatro San Bartolomeo di Napoli
1726 Il Valdemaro Apostolo Zeno
1727 Siroe, re di Persia, Dramma per musica in 3 atti Pietro Metastasio 25 gennaio 1927, Teatro San Bartolomeo di Napoli
1727 Moschetta, Intermezzo 25 gennaio 1727, Teatro San Bartolomeo di Napoli
1727 Grullo, Intermezzo 25 gennaio 1727, Teatro San Bartolomeo di Napoli
1731 Artemisia, Dramma per musica in 3 atti Giovanni Ambrogio Migliavacca 7 gennaio 1731, Teatro San Bartolomeo di Napoli
1731 La furba e lo sciocco, Intermezzo 7 gennaio 1731, Teatro San Bartolomeo di Napoli
1732 Berenice 13 gennaio 1732, Teatro di Torre Argentina di Roma
1735 Demofoonte, Dramma per musica in 3 atti (Pasticcio) Pietro Metastasio 20 gennaio 1735, Teatro San Bartolomeo di Napoli
1735 Gli amanti generosi, opera comica Tommaso Mariani 15 maggio 1735, Teatro dei Fiorentini di Napoli
1737 La passione di Gesù Christo Signor Nostro , oratorio sacro in 2 parti Pietro Metastasio 14 aprile 1737, Oratorio San Filippo Neri di Genova
1737 Achille in Sciro, Dramma per musica in 3 atti Pietro Metastasio 4 novembre 1737, Inaugurazione del Nuovo Grande Real Teatro San Carlo di Napoli
1738 Le nozze di Teti e Peleo, Intermezzo Nicola Giuvo 2 dicembre 1738, Real Teatro San Carlo di Napoli with Vittoria Tesi and Francesco Bernardi
1741 Ezio, Dramma per musica in 3 atti Pietro Metastasio 4 novembre 1741, Real Teatro San Carlo di Napoli
1743 Alessandro nelle Indie, Dramma per musica in 3 atti Pietro Metastasio Carnevale 1743, Real Teatro San Carlo di Napoli

References

  1. ^ Da qui in poi si designeranno le biblioteche che ospitano manoscritti con le sigle fornite dal RISM Repertoire International des Sources Musicales
  • Grove Music On-line
  • Robinson, Michael F. (1972) Naples and Neapolitan Opera. Clarendon Press, Oxford. ISBN 0-19-816124-7.
  • Fingere Per Godere: Comedia Per Music (1736) by Tomaso Mariani and Domenico Sarro


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