In 1921, she won a prize from the Tri-City Convention of the National Federation of Music Clubs.[6][7] A year later, in 1922, she was given the National Prize for Voice.[1]
Career
Nadworney was a contralto singer.[1][8] "Few young contraltos at present before the public can rival the equipment of Devora Nadworney", commented one publication in 1918.[3] She was under the management of Annie Friedberg in 1918,[9] and sang at Liberty Loan fundraisers[10] and gave concerts for the troops stationed near New York City during World War I.[11] She sometimes gave concerts of Russian folk songs while dressed in traditional embroidered costume.[12] She was also popular as a church soloist, in oratorios.[13] In 1921 she made a recording for the Victor Talking Machine Company.[14]
Nadworney had the distinction of being the first singer heard over a radio network in the United States, in 1928.[1] Through the 1920s and into the 1930s she was especially active in radio.[15] She sang the lead in Carmen on air in 1925, and Aida in 1926, both with the WEAF Grand Opera Company, under conductor Cesare Sodero.[16][8] She was associated with the Chicago Civic Opera from 1925 until at least 1934.[17]
In 1945 she sang at a noon concert at New York City's Town Hall.[18]
Personal life and legacy
Devora Nadworney married lawyer Herman Spingarn in 1935; and they divorced in 1941. She died in 1948, aged 52 years, in New York. Her obituary listing in Billboard Magazine described her as a "pioneer radio contralto... one of the first singers to perform over radio."[19][20]
The National Federation of Music Clubs offers the Devora Nadworney Award for young composers.[21]
^Dean Fowler, Alandra (1994). Estelle Liebling: An exploration of her pedagogical principles as an extension and elaboration of the Marchesi method, including a survey of her music and editing for coloratura soprano and other voices (PhD). University of Arizona.