John Desmond Skirrow (13 November 1923[1] – 16 August 1976) was a British advertising executive and novelist.[2][3]
Writing career
Skirrow was born in Barry, South Wales. In 1963, Skirrow met Alida Haskins, who showed him the maquette of Cowboy Kate & Other Stories by Sam Haskins, and he put words to the visual story devised by Sam and Alida. Alida introduced him to Sam's publisher, the Bodley Head in London, who went on to publish his thriller novels. Sam's next book, November Girl, was published in 1966 and Skirrow provided the text for the melancholic visual story.
While working as an advertising executive in the mid-1960s Skirrow commuted daily from Brighton to London, and he wrote 1,000 words a day until he had a 70,000-word novel.[4] This was It Won't Get You Anywhere, the first of three spy novels about fictional British agent John Brock. Like his creator, Brock works in advertising in London, but is also a part-time agent for an undercover department run by The Fat Man. Penthouse magazine said that both Brock and Skirrow were likeable, soft-hearted and rather shy.[4] Skirrow denied that he and Brock had any similarity, noting that his hair was blonde and Brock's is black.[4] According to Brian Ash, Skirrow "resembled a latter-day Chesterton."[5] Ruth Martin, writing for Books & Bookmen, described Skirrow as "Tall, big, bearded and seemingly incapable of being serious for more than a few minutes at a time."[6]
Two sequels followed: I Was Following This Girl and I'm Trying to Give It Up, tough, irreverent, and witty. Punch called them "the Chandler formula, basically, but louder and funnier." Penthouse said "between the punch-ups and chases and killings paint a wildly amusing cynical-eye view of the glossy, hysterical world of advertising."[4]
Skirrow also wrote a children's book, The Case of The Silver Egg, televised as The Queen Street Gang,[1] about the adventures of a group of boys tracking down a gang of villains. Books and Bookmen refers to an unpublished sequel.[7]
In 1962, David Bernstein, creative director at McCann Erickson, hired Skirrow and Robert Brownjohn as his deputy creative directors at its London office. Bernstein described Skirrow as "a craftsman".[12]
Skirrow was the Creative Director of major London advertising agency Masius Wynne-Williams,[13][14] where his colleagues included novelist Christopher Wood and Murray Walker – Walker claims that he and Skirrow disliked each other intensely.[15]
^J. Paul Hunter; Alison Booth; Kelly J. Mays, eds. (2007). The Norton Introduction to Poetry (9th ed.). New York: W. W. Norton & Company. p. 400. ISBN978-0-393-92857-0.