Most of the stories collected in Dear Life had previously been published elsewhere. "Amundsen", "Corrie", "Dear Life", "Gravel", "Haven" and "Leaving Maverley" were all originally published in The New Yorker. "Dolly" was first published in Tin House.
Critical reception
According to Book Marks, the book received "rave" reviews based on eighteen critic reviews, with eighteen being "rave".[2] On The Omnivore, a British aggregator of press reviews, the book received an "omniscore" of 3.5 out of 5.[3][4][5] On Bookmarks January/February 2013 issue, a magazine that aggregates critic reviews of books, the book received a (4.0 out of 5) based on critic reviews with a critical summary saying, "Critics compare Alice Munro favorably to Tom Wolfe, William Trevor, and Anton Chekhov--but also agree that she stands in a class of her own".[6][7]
Kate Kellaway in The Guardian describes these stories as "concise, subtle and masterly" noting that they have a "subtle, unshowy, covert brilliance".[8]
Ruth Scurr, writing in The Telegraph, points to the autobiographical aspect of the collection and declares the collection to be "a subversive challenge to the idea of autobiography: a purposeful melding of fact fiction and feeling".[9] The reviewer goes on to suggest the collection might be Munro's last, but if so would be a "spectacular" finale.
Munro won the Nobel Prize in Literature in October 2013 for the body of work over her lifetime.[10]