In 1979 he married the composer Nicola LeFanu.[2] David Lumsdaine died on 12 January 2024 at the age of 92.[3][4]
Works
Lumsdaine disowned all works he composed before Annotations of Auschwitz (1964). His first acknowledged works were composed using a variety of pitch and rhythm techniques associated with serialism – techniques such as pitch rotation or permutation, and isorhythmic structures linking pitch and duration together. Central to all of Lumsdaine's work is the notion of 'ground', a term borrowed from Baroque musical terminology (specifically Purcell).[citation needed]
The orchestral works 'Salvation Creek with Eagle' and 'Hagoromo' (1974 and 1977 respectively) continue and develop Lumsdaine's personal take on Australian nature.
Lumsdaine's output also included piano works – notably the Bach-inspired 'Ruhe Sanfte, Sanfte Ruh' (1974) – and a considerable number of pieces involving electronics, such as the tape montage/re-composition of events from the Durham Miners Gala 'Big Meeting'. The chamber works include a series of works entitled 'Mandala', a cello concerto, several song cycles and an orchestral fifth 'Mandala' (1989), a homage to Australian landscapes and soundscapes. Shortly after composing his dense and energetic 'Kali Dances' for ensemble in 1996, Lumsdaine retired from composition.
The following is a list of Lumsdaine's acknowledged works:
Ballet
1973: Meridian (percussion, piano, tape)
Chamber
1968: Mandala I (wind quintet)
1969: Mandala II (flute, clarinet, percussion, viola, cello)
1971: Kangaroo Hunt (piano, percussion)
1978: Mandala III (solo piano, flute, clarinet, viola, cello, bell)
^'LeFANU, Prof. Nicola Frances', Who's Who 2013, A & C Black, an imprint of Bloomsbury Publishing plc, 2013; online edn, Oxford University Press, Dec 2012; online edn, Nov 2012 accessed 24 Dec 2012
^"Home Page". The Music of David Lumsdaine. Retrieved 15 January 2024.