David Edward Leslie Hemmings (18 November 1941 – 3 December 2003) was an English actor and director.[1] He is best remembered for his roles in British films and television programmes of the 1950s, 1960s and 1970s, particularly his lead roles as a trendy fashion photographer in the hugely successful avant-gardemystery filmBlowup (1966), directed by Michelangelo Antonioni and as a jazz pianist in Dario Argento's Deep Red (1975). Early in his career, Hemmings was a boy soprano appearing in operatic roles. In 1967, he co-founded the Hemdale Film Corporation. From the late 1970s on, he worked mainly as a character actor and occasionally as director.
Early life
David Hemmings was born in Guildford, Surrey, to a father who was a biscuit salesman and a homemaker mother.[2]
Although many commentators identified Britten's relationship with Hemmings as based on an infatuation, throughout his life Hemmings maintained categorically that Britten's conduct with him was beyond reproach at all times. Hemmings had earlier played the title role in Britten's The Little Sweep (1952), which was part of Britten's Let's Make an Opera! children's production.
Britten's interest in Hemmings ceased abruptly from the moment his voice broke, which occurred unexpectedly while he was singing the aria 'Malo' during a performance of The Turn of the Screw in 1956 in Paris. Britten was furious, waved Hemmings away, and never had any further contact with him.[3]
Acting
Child actor
Hemmings then moved on to acting in films. He made his first film appearance in the drama film The Rainbow Jacket (1954). He also appeared in Saint Joan (1957).[4]
Hemmings’ luck changed when he was cast in the lead of Blowup (1966). It was directed by Michelangelo Antonioni, who detested the "Method" way of acting.[6] He sought a fresh young face for the lead in the film.[7] He found Hemmings, at the time acting in small-stage theatre in London, although at their first meeting Antonioni told Hemmings, "You look wrong. You're too young."[7] Hemmings was offered the part of the protagonist, a London fashion photographer who accidentally photographs evidence of a murder, after Sean Connery turned the role down because Antonioni would not show him the full script but only a seven-page treatment stored in a cigarette packet.[8]
The resulting film was a critical and commercial sensation for MGM, which financed it, and helped turn Hemmings and Vanessa Redgrave into stars. "I've been discovered half a dozen times," said Hemmings. "This time I think I've made it."[9]
After Blowup Hemmings accepted an offer from Warner Bros to play Mordred in the big-budget film of the Broadway musical Camelot (1967).[4] He had a supporting part in the thriller Eye of the Devil (1966), playing the brother of Sharon Tate. Hemmings was then cast as Louis Nolan in the big-budget epic The Charge of the Light Brigade (1968),[4] which, like Camelot, was widely seen but failed to recoup its cost.
Around 1967 Hemmings was briefly considered for the role of Alex in a film version of Anthony Burgess's novel A Clockwork Orange (1962), which was to be based on a screen treatment by satirist Terry Southern and British photographer Michael Cooper. Cooper and the Rolling Stones were reportedly upset by the move and it was decided to return to the original plan in which Mick Jagger, the lead vocalist of the Rolling Stones, would play Alex, with the rest of the Stones as his droog gang; the production was shelved after Britain's chief censor, the Lord Chamberlain, indicated that he would not permit it to be made.[10]
Hemmings costarred with Richard Attenborough in the crime comedy, Only When I Larf (1968), then was the sole star of an anti-war film, The Long Day's Dying (1968). Both films flopped. More financially successful was the science fiction sex comedy Barbarella (1968), starring Jane Fonda in which Hemmings had a key supporting role. He played the lead in two period films for MGM: a comedy, The Best House in London (1969), and the historical epic Alfred the Great (1969), in which Hemmings had the title role. Neither film did well at the box office, with Alfred the Great being a notable flop.
Later, after relocating to Hollywood, he directed a number of television films and series episodes.
Character actor
From the mid-1970s on, Hemmings's acting work was mainly in supporting roles. In 1977 he appeared as Eddy in the film Islands in the Stream, an adaptation of Hemingway's novel of the same name, starring George C Scott. He also had support roles in The Squeeze (1977), The Prince and the Pauper (1977), The Heroin Busters (1977), The Disappearance (1977), Squadra antitruffa (1977), Blood Relatives (1978), Power Play (1978) and Murder by Decree (1979). He also returned to television in 1978 with a film for Granada TV directed by Ken Russell and written by Melvin Bragg: The Rime of the Ancient Mariner, about Samuel Taylor Coleridge (played by Hemmings), was the second of two films in the Clouds of Glory series about poets.
Australia and New Zealand
In 1979, Hemmings received an offer to play a supporting role in an Australian vampire film, Thirst. He starred in a TV film, Charlie Muffin then returned to Australia to feature in Harlequin (1980).
Hemmings then moved to Hollywood. He played supporting roles in Man, Woman and Child (1983) and Airwolf (1984).
He also worked extensively as a director of television programmes, including the action-adventure drama series Quantum Leap (e.g. the series’ premiere); the crime series Magnum, P.I. (in which he also played characters in several episodes); and two action-adventure series, The A-Team and Airwolf (in which he also played the role of Doctor Charles Henry Moffet, twisted creator of Airwolf, in the pilot and the second-season episode "Moffett's Ghost" – a typographical error by the studio's titles unit). He once joked "People thought I was dead. But I wasn't. I was just directing The A-Team."
He directed the drama film Dark Horse (1992) and as an actor returned to the voyeuristic preoccupations of his Blowup character with a plum part as the Big Brother-esque villain in the series-three opener for the television horror anthology seriesTales From the Crypt.
In 1967, Hemmings recorded a pop single, "Back Street Mirror" (written by Gene Clark), and a studio album, David Hemmings Happens, in Los Angeles. The album featured instrumental backing by several members of the Byrds, and was produced by Byrds' mentor Jim Dickson.
In the 1970s, he was jointly credited with former Easybeats members Harry Vanda and George Young as a co-composer of the song "Pasadena". The original 1973 recording of this song – the first Australian hit for singer John Paul Young – was produced by Simon Napier-Bell, in whose SNB Records label Hemmings was a partner at the time.
After his death his autobiography, Blow Up... and Other Exaggerations – The Autobiography of David Hemmings, was published in 2004.
Personal life
Hemmings was married four times: to Genista Ouvry (1960–1967), actress Gayle Hunnicutt (1968–1975), Prudence de Casembroot (1976–1997), and Lucy Williams (2002 to his death).[13] Hemmings met Hunnicutt while he was in America promoting Blowup, by which time his marriage to Ouvry was over. At their outdoor wedding, Henry Mancini conducted an orchestra and the Mamas and the Papas performed next to a swimming pool filled with doves dyed puce.[13] Of his relationship with Hunnicutt, Hemmings remarked, "We were the poor man's Taylor and Burton". Their marriage ended when Hunnicutt discovered Hemmings's affairs with actress Samantha Eggar (his co-star in The Walking Stick (1970)), and his secretary Prudence de Casembroot.[13]
During his subsequent marriage to de Casembroot, Hemmings continued to have extra-marital relationships with, among others, Tessa Dahl.[13]
Hemmings had six children altogether; he and Ouvry had a daughter, he and Hunnicutt had a son (actor Nolan Hemmings), while he and de Casembroot had three sons and a daughter.
Hemmings was an active supporter of liberal causes, and spoke at a number of meetings on behalf of the UK's Liberal Party.[citation needed]
Hemmings suddenly died in 2003 at age 62 of a heart attack, in Bucharest, Romania, on the film set of Blessed (working title: Samantha's Child) after he had performed his scenes for the day.[14]
His funeral was held at St Peter's Church, in the hamlet of Blackland near Calne, Wiltshire, where he had lived in his final years. He was buried in the graveyard of the church.
^ abPomerance, Murray (2011). Michelangelo Red Antonioni Blue: Eight Reflections on Cinema. Berkeley and Los Angeles: University of California Press. p. 263. ISBN978-0520266865.
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