An Indigenous Australian and Yolŋu person, he was raised in a traditional lifestyle in Arnhem Land. A skilled dancer, he was noticed by British filmmaker Nicolas Roeg, who cast him in his first feature film role in Walkabout (1971). He also made several appearances on stage.
Recognised as one of Australia's greatest actors and a trailblazer for Indigenous Australians in film, he was honoured with numerous awards and honours, including a lifetime achievement award at the 2019 NAIDOC Awards. After his death in November 2021, he was posthumously referred to as David Dalaithngu for a short period at his family's request. This was to conform to Indigenous practices that avoid naming the dead.
Early life and education
Gulpilil was probably born in 1953.[1] In the 2021 documentary about his life, My Name is Gulpilil, he said that he did not know how old he was. Local missionaries recorded his birth on 1 July 1953, based on "guesswork".[2] He was a man of the Mandjalpingu (Djilba) clan of the Yolngu people,[3] who are an Aboriginal people of Arnhem Land in the Northern Territory of Australia.[4]
As a young boy, Gulpilil was an accomplished hunter, tracker, and ceremonial dancer. Gulpilil spent his childhood in the bush, outside the range of non-Aboriginal influences.[4] He did not see a white man until he was 8 years old.[5] He received a traditional upbringing in the care of his family, until the death of his parents. After that, he attended the school at Maningrida in North East Arnhem Land,[4][6] where he was assigned the English name "David".[7][5] When he came of age, Gulpilil was initiated into the Mandhalpuyngu tribal group. His skin group totemic animal was the kingfisher (the meaning of the name Gulpilil)[8] and his homeland was Marwuyu.[4][6]
After appearing in his first film, Walkabout (1971), Gulipilil became fluent in English. He added this to his ability to speak several Aboriginal languages.[4]
Career
Film and television
In 1969, Gulpilil's skill as a tribal dancer caught the attention of British filmmaker Nicolas Roeg, who had come to Maningrida scouting locations for a forthcoming film. Roeg promptly cast the 16-year-old unknown to play a principal role in his film Walkabout, released in 1971. It was internationally acclaimed, and Gulpilil's role was the first time that an Aboriginal character had been portrayed as sexually attractive.[5] Gulpilil's on-screen charisma, combined with his acting and dancing skills, was such that he became an instant national and international celebrity.
The young man travelled internationally, mingled with prominent people, and was presented to heads of state.[6] During these travels to promote the film, he met and was impressed with John Lennon, Bob Marley, Bruce Lee, Marlon Brando, and Jimi Hendrix.[9][i] He taught Bob Marley how to play the didgeridoo, while Marley introduced him to "ganja".[5]
Gulpilil appeared in many more films and television productions. He played a lead role in the commercially successful and critically acclaimed Storm Boy (1976). He "dominated" the film The Last Wave (1977) with his charismatic performance as Chris Lee, a conflicted urban tribal Aboriginal.[10]
A documentary about his life, Gulpilil: One Red Blood, was aired on ABC Television in 2003. The title comes from a quote by Gulpilil: "We are all one blood. No matter where we are from, we are all one blood, the same".[11]
Gulpilil was a major creative influence throughout his life in both dance and film. He initiated and narrated the film Ten Canoes, which won a Special Jury Prize at the 2006 Cannes Festival. The low-budget film, based on a 1,000-year-old traditional story of misplaced love and revenge, features non-professional Aboriginal actors speaking their local language. Gulpilil collaborated with the director, Rolf de Heer, urging him to make the film. He ultimately withdrew from a central role in the project for "complex reasons."[12][13] Gulpilil also provided the voice of the storyteller for the film. De Heer had directed Gulpilil in the earlier film, The Tracker (2002).[14]
In 2015, Gulpilil appeared in the documentary Another Country, directed by Molly Reynolds.[16] In this film, Gulpilil narrates the story of his life, from when he was a child living on country; the arrival of the first white men ("ghosts"), in the form of missionaries; through The Intervention, and the introduction of the BasicsCard. He often made serious criticisms hidden beneath his trademark humour.[13]
Gulpilil worked again with Reynolds when she directed a documentary about his life, My Name Is Gulpilil, which premiered at the 2021 Adelaide Festival.[16]
Gulpilil was renowned for portraying Aboriginal culture before it became threatened by the white civilisations. He became somewhat divorced from his own culture by his career in film. He felt that he was stretched somewhere between the two, with "one tiptoe in champage and caviar, and the other in the dirt of his Dreamtime".[5]
Stage
In March 2004, he performed in the autobiographical stage production, Gulpilil at the Adelaide Festival of Arts, and received standing ovations.[17][18] This work, co-written with Reg Cribb, and directed by Neil Armfield, was based on stories of his life assembled into a script. These included tales from the making of Walkabout, performing at Buckingham Palace, and inadvertently causing a bomb scare at Cannes.[18] The show was later staged in Brisbane and Sydney.[19]
Perhaps the most renowned traditional dancer in Australia, Gulpilil organised troupes of dancers and musicians and performed at festivals throughout the country. He won the prestigious Darwin Australia Day Eisteddfod dance competition four times.[6]
In addition to his career in dance, music, film and television, Gulpilil was an acclaimed storyteller. He wrote the text for two volumes of children's stories based on Yolngu beliefs. These books also feature photographs and drawings by Australian artists, and convey Gulpilil's reverence for the landscape, people and traditional culture of his homeland.[24][25]
King brown snake with blue tongue lizard at Gulparil waterhole, painted by Gulpilil in 2013–14, is in the Art Gallery of South Australia's collection.[26]
In 2013 Gulpilil was the recipient of the Red Ochre Award, which is awarded annually by the Australia Council for the Arts to an outstanding Indigenous Australian (Aboriginal Australian or Torres Strait Islander) artist for lifetime achievement.[32]
In May 2014, Gulpilil won a Best Actor award at the Cannes Film Festival for his performance in Rolf de Heer's film Charlie's Country. The award was in the Un Certain Regard section, a part of the festival that emphasises original, individual points of view and innovative film-making.[33][34]
In August 2021, Tandanya mounted an exhibition entitled Djungi Gulpilil (Gulpilil family), featuring the work of many artists in his family, including his twin sister, one of his wives and his brother, as well as his own paintings. The exhibition was expressly created to honour and celebrate his life, and to bring him comfort as he is being treated a long way from home, yearning for "culture, language and kin".[42][43]
At the 11th AACTA Awards, to be held on 8 December 2021, Gulpilil will be officially awarded the Longford Lyell Award for his contribution to the Australian film industry; he had informally received the award at his home a month earlier. His face will be projected onto the Sydney Opera House in the evening of the award ceremony.[44]
Later life and death
Gulpilil was diagnosed with terminal lung cancer in 2017,[7][45] and retired from acting in 2019. His illness prevented him from attending the 2019 NAIDOC Awards, where he was recognised with the lifetime achievement award.[46][37]
Gulpilil died at his home in Murray Bridge, South Australia, on 29 November 2021.[47][48] Following his death, his family requested that he be referred to as David Dalaithngu[45] for a period of time to avoid naming the dead, and many news articles about his death refrained from using the actor's professional name, while warning that the articles contained his name and image.[8][49][45]
Tributes were published in Australia by political leaders, including Minister for Indigenous Australians Ken Wyatt, federal opposition leader Anthony Albanese, and South Australian premier Steven Marshall; actors, including Hugh Jackman; film critics; and community elders and relatives, including Witiyana Marika.[50] Overseas news outlets also published lengthy tributes and obituaries.[13][7][51][52]
On 2 December 2021, a statement was posted by Tandanya on Facebook on behalf of the Yolngu community and Gulpilil's kin:[53]
David was an inimitable talent who ‘walked between two worlds’, that of his Country and Culture, and that of the film world, placing him in a unique position regarding posthumous naming cultural practice.
David wanted people to know his name, remember his work, and know his immense legacy to Australian cinema and Australian culture. He was rightfully proud. He wanted his storytelling through film to be shared, to be on the record for the generations to come.
As were his wishes, the Community now give permission for all of his names to be used. He may be referred to as:
David Gulpilil
David Gulpilil Ridjimiraril Dalaithngu
David Gulpilil AM
David Gulpilil Ridjimiraril Dalaithngu AM
The permission remains to use his image in films and photographs.
The announcement was also reported in newspapers.[44]
Personal life and family
Gulpilil suffered from alcoholism, having been introduced to grog during filming of Walkabout.[54] In later life, it led to several clashes with the law.[45] In 2006, Gulpilil was charged with carrying an offensive weapon after an altercation at the house of a friend in Darwin, when Gulpilil had allegedly armed himself with a machete after he and his wife had been asked to leave the home by the homeowners, who had allegedly armed themselves with a totem pole and a garden hoe.[55][56] However, he was found not guilty after the judge accepted that the machete was used for cultural purposes, including carving didgeridoos, and had not been intended for use as a weapon.[57]
On 30 March 2007, a Darwin magistrate imposed a 12-month domestic violence order on Gulpilil over an incident which had involved his wife, Miriam Ashley, on 28 December 2006; Gulpilil was ordered to stay away from her while drinking.[58] In December 2010, Gulpilil was charged with aggravated assault against Ashley, with the court hearing that he had thrown a broom at her, fracturing her arm. In September 2011, he was found guilty and sentenced to twelve months[59] in Berrimah Prison in Darwin.[45] After this stint in prison, he finally got sober.[5]
Gulpilil's other wives or partners included Airlie Thomas and Robyn Djunginy.[45] Two of his daughters are Phoebe Marson and Makia McLaughlin.[35][37] Seven children survived him: Jida (a musician and actor),[60] Milan, Makia, Andrew, Jamie, Phoebe and Malakai.[45]Witiyana Marika, Yolngu elder, musician and band member of Yothu Yindi, is his son by lore.[50][61]
Several members of his family are artists, including his twin sister (yapa), Mary Dhalapany, a leading weaver; his brother, Peter Minygululu, known for his story-telling and detailed artworks; and former wife Robyn Djunginy, who was known for her bottle paintings.[43][42][62] His nephew (waku), Bobby Bununggurr, is a singer, dancer, law man and reconciliation advocate. During the 1970s and 1980s, the two men travelled widely together, performing, dancing, and singing.[42]
Gulpilil (1979). Gulpilil's stories of the dreamtime. Compiled by Hugh Rule and Stuart Goodman; illustrated by Allan Hondow; photography by Stuart Goodman. Sydney: Collins. ISBN978-0-00-184383-7.
Gulpilil (1983). The Birirrk, our ancestors of the dreaming. Photographs by Neil McLeod. Cheltenham, Australia: L & S Publishing. ISBN978-0-86898-061-4.
Explanatory notes
^Also related by Gulpilil in the film My Name Is Gulpilil.
^Pike, Andrew; Cooper, Ross (1998). Australian Film 1900–1977: A guide to feature film production. Melbourne: Oxford University Press. ISBN978-0-19-550784-3.
^"Deadly Dancing". Tandanya Warra Yellakka, The Newsletter of the National Aboriginal Cultural Institute Inc. Tandanya. January 1998. p. 8. Archived from the original on 13 May 2001.
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