Crazy Eyes is the seventh studio album by American rock band Filter. The album was released on April 8, 2016. The first single, "Take Me to Heaven", was released in January 2016. In its opening week, the album debuted at number 151 on the Billboard 200 charts, the band's lowest debut to date.
The album marked a change in sound from prior Filter albums, moving into a direction Patrick coined as "new industrial".[3] He described it as "...more experimental and crazy...scary, weird places instead of doing that big-ass guitar sound again."[3]Billboard described it as "...hardly bereft of guitars but there are a substantial amount of electronics and effects in use. The result features heavy industrial crunch and solemn, ambient songs that reach back to Patrick's time in Nine Inch Nails and the first Filter album, 1995's Short Bus".[3]
Thematically, the album still keeps with the band's themes of frustration and anger.[3][4] Additionally, Patrick described it as an attempt "to look at people's unexplainable behavior and assess it, using sound. It's a way to approximate the insanity of the human condition."[4] The track "Take Me to Heaven" was written by Patrick's struggle with dealing with the death of his father.[3] Patrick recalled:
I was looking into the eyes of my father when he was passing away, and I held his hand...He glanced at me really quickly, focused on me, had this look of gratitude, and then he slipped away. I was almost like, 'I hope you're going to heaven'. Scientifically, the idea doesn't make any sense to me, but if there is a heaven, take me there.[4]
The track "Nothing in My Hands" was written about the Ferguson and Michael Brown shootings.[2]
Promotion and release
The album's first single, "Take Me to Heaven", was first premiered on the Billboard website in January 2016.[3] The album is scheduled for release on April 8, 2016, through Wind-Up Records.[5] Two days before release, Billboard put up the entire album for streaming. 'Crazy Eyes' debuted at number 151 on the Billboard 200, selling 5,000 copies in its first week.
The album was generally well received. AllMusic praised the album for being something new while still being familiar to Patrick's past with Filter and Nine Inch Nails, describing it as "Less politically on the nose than the poppy Anthems for the Damned, more mature than the easy retread of The Trouble with Angels, and more visceral than The Sun Comes Out Tonight" and ultimately that "Crazy Eyes manages to tread new ground for Filter while respectfully acknowledging the sound that propelled the band in the first place.[6] The Sputnik Music staff review echoes these sentiments, stating that the album was better than Filter's last few albums, but that "though harder to digest on a first listen, these songs gradually get under your skin, revealing one of Filter's greatest LPs to date."[9] Renowned for Sound was less positive about the album, criticizing Patrick's rough vocals and concluding that "Patrick tries to cover too much ground on one record, creating the feeling of a collection of songs instead of the feeling of an album. Had Crazy Eyes featured a unity of purpose, the great songs on the record could have been extended to making a great album.[8]
