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Count Three and Pray
Count Three and Pray
	Theatrical release poster
Directed by	George Sherman
Written by	Herb Meadow
Produced by	Ted Richmond
Starring	Van Heflin; Joanne Woodward; Philip Carey; Raymond Burr;
Cinematography	Burnett Guffey
Edited by	William A. Lyon
Music by	George Duning
Color process	Technicolor
Production; company	Copa Productions
Distributed by	Columbia Pictures
Release date	October 1955;
Running time	102 minutes
Country	United States
Language	English

Count Three and Pray is a 1955 American CinemaScope Western film directed by George Sherman and starring Van Heflin and Joanne Woodward in her first feature film.^[1] It was based on the story "Calico Pony" (also the working title of the film) by Herb Meadow. It premiered in Woodward's home town, Greenville, South Carolina, at the Paris Theatre.

Plot

Former brawler and womanizer Luke Fargo returns from the American Civil War to his Southern hometown a greatly changed man. Following his traumatic experience at the Battle of Vicksburg, he has become a minister, intent on rebuilding the town's only church, which burned down. He is greeted with disbelief by his friends, including Matty, and with outright hostility by the rest of the townsfolk, as he fought on the Union side. Particularly opposed to him is Yancey Huggins, who sees a threat to his iron-fisted control of the town. Huggins gets the aptly named Big to fight Fargo, but Fargo wins.

Fargo encounters two very different women from his past. Southern belle Georgina Descrais, impoverished by the war, tries to revive their romantic relationship, but he is not interested. Local madam Selma (an uncredited Jean Willes) is pleased by his return and accepts him on his own terms. Meanwhile, teenage orphan tomboy Lissy, who has been living in the parsonage, initially dislikes him, but gradually her feelings undergo a reversal. She continues residing there, which causes Fargo a great deal of trouble, as the townspeople, aroused by Huggins, suspect him of falling back on his old scandalous ways. He does not help matters when he reluctantly gambles on a Sunday with prosperous businessman Albert Loomis, winning a horse race to obtain lumber for the church, and is goaded into fighting Yancey's men.

Finally, the bishop is called in to resolve the situation. He learns that Fargo, not knowing any better, had not been ordained. After hearing how much good Fargo has done in the community, the bishop makes him a real minister and then tries to get him to marry Lissy. When Fargo proves reluctant, the exasperated Lissy hands the bishop her rifle to prod the hesitant (though not unwilling) groom.