Made of Cor-Ten steel, Clothespin is praised by art critics for its velvety texture and weathered, warm reddish-brown color.[3] The silvery steel "spring" part of the two-textured work resembles the numerals "76", apt for the United States Bicentennial year.[6] Tying in Philadelphia's colonial heritage with its difficult present, Clothespin addresses the city's civic issues and tries to bridge gaps across income levels through its universally recognized form.[7] The design has been likened to the "embracing couple" in Constantin Brâncuși's sculpture The Kiss in the Philadelphia Museum of Art.[4]
There are at least two small-scale models of the sculpture. The first normally stays in the Oldenburg gallery at the Denver Art Museum: Clothespin – 4 Foot Version, completed in 1974.[8] The second, a 10-foot version completed in 1975, is located and occasionally displayed in the Contemporary Art department of the Art Institute of Chicago.[9]
^Hunter, Becky Huff. "Philadelphia Social Art" in Artists Reclaim the Commons. Ed. Glenn Harper and Twylene Moyer. Hamilton, NJ: ISC Press, 2013. p. 268.