During the Lebanese Civil War (1975-1990), many well-off Lebanese families fled the country to look for their personal interests internationally, leaving their residences under the care of maids and laborers from Egypt, the Philippines and Sri Lanka. The film draws a portrait of a war-tormented Beirut neighborhood, and the love between a Muslim militia fighter and a Christian maid.
Due to the controversial topic of the film and its critique of the Lebanese elite,[4] it had only one screening in Lebanon at the Beirut International Film Festival, and was also later banned by the Lebanese Film Commission.[3] However, it received positive responses from international audiences, including at film festivals in Italy, France, and Canada.