Brazilian film studio
Cinédia (originally called the Cinearte studios) was a Brazilian film studio established on 15 March 1930 in Rio de Janeiro , and remained in continual operation until 1951.[ 2]
Between 1930 and 1945, Cinédia averaged two films a year, with a high of five in 1936.[ 3]
History
One of the most important production companies of Brazilian film industry in the 1930s and 1940s, idealized by Adhemar Gonzaga , which produced popular dramas and musical comedies, known by the generic denomination "chanchadas ".
Importing the latest equipment and technology, such as Mitchell cameras, and the Movietone sound system , in the first Brazilian film with optical sound .[ 2]
Humberto Mauro produced the company's first film, Lábios sem Beijos , in 1930 . In 1933 , he directed, with Adhemar Gonzaga, A Voz do Carnaval , in which singer Carmen Miranda made one of her first film appearances.[ 4]
In musical comedies like Alô, Alô Brasil! , Alô, Alô, Carnaval! and Onde estás, felicidade? , actors like Oscarito , Grande Otelo and Dercy Gonçalves made their debut.[ 5]
Cinédia's biggest success was O Ébrio , in 1946 , produced by Adhemar Gonzaga and directed by Gilda de Abreu .[citation needed ]
Other of the company's hits were Bonequinha de Seda in 1936 , Estudantes in 1935 , Ganga Bruta in 1933 , and Limite in 1931 .[citation needed ]
Partial filmography
Mulher (1931)
Honra e Ciúmes (1933)
Tapirapés (1934)
Alô, Alô Brasil! (1935)
Noites Cariocas (1935)
Carioca Maravilhosa (1935)
Estudantes (1935)
Alô, Alô, Carnaval! (1936)
O Jovem Tataravô (1936)
Bonequinha de Seda (1936)
Caçando Feras (1936)
O Descobrimento do Brasil (1937)
Samba da Vida (1937)
Alma e Corpo de uma Raça (1938)
Aruanã (1938)
Maridinho de Luxo (1938)
Tererê Não Resolve (1938)
Está Tudo Aí (1939)
Joujoux e Balangandãs (1939)
Onde Estás Felicidade? (1939)
Direito de Pecar (1940)
Eterna Esperança (1940)
Pureza (1940)
24 Horas de Sonho (1941)
O Dia é Nosso (1941)
A Sedução do Garimpo (1941)
It's All True (1942) (unfinished version)
References
External links
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