PROFILPELAJAR.COM

Christ Crowned with Thorns or Christ Mocked is a 1598–1600 oil on canvas painting by Annibale Carracci, now at the Pinacoteca Nazionale di Bologna.

History

It is usually identified with a work mentioned by Giulio Mancini in his Considerazioni sulla pittura (1620),^[1] in which he refers to the artist painting a "Christ whipped and pulled by the hair for the chapels of the "manigoldi" in the manner of fra Bastiano [i.e. Sebastiano del Piombo]" as an angry riposte to comments from his patron Odoardo Farnese on the superiority of past painters over present ones. Odoardo then saw the work hanging on a wall of the Palazzo Farnese, mistook it for a work by Luciani and stated that it confirmed his previous assertion, to which Annibale immediately replied that the work's artist was by "the grace of God, [still] alive".

It is now attributed to Annibale Carracci, probably produced in Rome in 1598–1600, between his work on the Camerino Farnese and his starting work on the Galleria Farnese frescoes.^[2]

Like the rest of the Farnese collection, the work moved from Rome to Parma and finally to Naples. At the end of the 18th century, it passed to an English collector before going back on the market and being acquired by the Italian state for its present owner in 1951.

Dating

This remains controversial.

Gallery

Anthony van Dyck, Italian Notebook, 1621–1627, British Museum. The sketch of Carracci's Christ Crowned with Thorns in at the top of the folio above the study of Titian's Christ Crowned with Thorns (Louvre)
Print of Carracci's work by Sebastiano Vaiani, 1627
Christ Crowned with Thorns (c. 1598–1600) by Annibale Carracci
An early copy of the work by Andrea Sacchi (Prado)^[3]

References

^ Donald Posner, Annibale Carracci: A Study in the reform of Italian Painting around 1590, Londra, 1971, Vol. II, N. 89, pp. 38-39.
^ "Gesù Cristo incoronato di spine" (in Italian). Pinacoteca Nazionale di Bologna.
^ "The Crowning with Thorns". Museo Nacional del Prado.