Eliopoulos is known as a prolific letterer, in particular for hand-lettering the first 100 issues of the ongoing Savage Dragon series, even after much of the comic book industry (including Eliopoulos himself, on other titles) had come to rely on computer-generated fonts for dialogue; this was done at Savage Dragon creator Erik Larsen's request; Larsen preferring the individual look of hand-lettered dialogue.
He designed the fonts for Marvel Comics' in-house computer lettering unit.[3] He has also contributed lettering work to Valiant Comics, DC Comics, and other publishers. For Dark Horse Comics, Eliopoulos wrote and/or drew some Star Wars stories.
Eliopoulos is also known for his comic strip Desperate Times, which showcases art admittedly inspired by the work of Bill Watterson of Calvin and Hobbes fame. Desperate Times features the misadventures of bachelor losers Marty and Toad, which ran as a back-up feature in Savage Dragon, and later Desperate Times comics from Savage Dragon publisher Image Comics and AAArgh! Comics, a part of After Hours Press.
Eliopoulos quoted in interview about art inspiration.[citation needed]
Visually. I was REALLY into Bloom County at the time--still am--and that spoke to me more. But I liked his (Watterson's) zaniness as well. It pushed me to be a better cartoonist. I realized that comic strips didn't have to look so bad--they could look amazing. Between the two is where I would love to do a strip. The all-out humor of Bloom County with the quality art of a Calvin and Hobbes.
Following the September 11 attacks, Eliopoulos contributed a story to a Marvel Comics benefit book about how his family was affected by the event, which shares the date of his wedding anniversary.[volume & issue needed]
Eliopoulos appeared as a guest on the August 8, 2020 episode of The George Lucas Talk Show with fellow guest Lauren Lapkus, in which he discussed his work and career with "retired filmmaker George Lucas" (actor and comedian Connor Ratliff).[7]
Reception
Doug Zawisza, reviewing the 2011 Fear Itself miniseries for Comic Book Resources, praised Eliopoulos' lettering, singling issue #4 in particular, for which he positively compared Eliopoulous' work to letterer John Workman, to whom Zawisza felt Eliopoulos was paying homage.[8]