Zoe Adler (Robin Tunney), is a shy, eccentric and misunderstood computer animator who lives and works in San Francisco, has a love for 1970s and 80s pop music and is infatuated with co-worker Andrew (Jason Priestley). While heading home after a few drinks one night, she is forced into her car by a stalker who steers her into a police officer, knocking him off his bicycle and killing him.
When Zoe is put under house arrest with a story no one believes and an electronic bracelet that keeps her homebound with an ever-increasing list of mandatory and repetitive tasks she must complete or risk going to jail, she must find a way to clear her name. With the help of Daly (Tim Blake Nelson), an officer responsible for checking her bracelet every week who falls for her, a downstairs neighbor, and neighborhood kids, Zoe finds her stalker and tries to clear her name.
Roger Ebert gave the film three stars and a thumbs up. He praised Tunney, saying that "she brings a quiet goofiness to the role that is a much better choice than grim heroism or calm competence or some of the other speeds she could have chosen." He also complimented Ricardo Gil who plays Max, a gaydwarf who lives downstairs from Zoe and befriends her.[2]
Elvis Mitchell of The New York Times liked it "as a poky little character comedy...enchanting in a small-scale way" but was critical of Taylor for trying "to shift the tone to a thriller's rush." He added, "The film lacks the horsepower for the 0-to-60-pickup needed for Zoe's Nancy Drew-like investigations of her stalker." He was also disappointed by the lack of development of characters beyond Zoe.[1]