Cheating Cheaters is a 1916 play written by Max Marcin. Producer A. H. Woods staged it on Broadway. The play is a melodramatic farce about two groups of jewel thieves who are each posing as a wealthy family in order to rob the other.
Plot
Nan Carey becomes a member of a group of jewel thieves who pretend they are the wealthy Brockton family in order to gain the confidence of real high society families. While traveling, Nan (using the name Ruth Brockton) attracts the romantic attention of Tom Palmer, who turns out to be one of the Brocktons' neighbors. While attending a tea party thrown by the Palmers, the Brockton gang tricks the Palmers into inviting Nan to stay with them while the rest of the Brocktons are supposedly visiting Chicago. The Brocktons expect this ruse will allow them to steal the Palmers' jewelry. It is then revealed to the audience that the "Palmer family" is another group of thieves, who are planning to steal the Brocktons' jewelry while the Brocktons are out of town.
Thinking the Brocktons have left, the Palmer gang slips into the Brockton mansion, but are captured by the Brocktons. Meanwhile, Nan has gone to the Palmer mansion to burglarize it. Upon her return, the two groups each realize the other is a criminal gang, and they decide to join forces. Their planning is interrupted by detectives from the Ferris Detective Agency, who capture the combined gangs on behalf of the insurance companies for their past victims. Nan is revealed to be Ruth Ferris, head of the agency, who has been working undercover posing as a thief. Because her love for Tom is real and not just part of her cover, she offers him the opportunity to confess and join her agency rather than be turned over to the police.
The New York Times gave a positive review, saying it was "an interesting play that is entertaining all the way through".[6] The review in The Brooklyn Daily Eagle was also positive, calling the play "ingenious, clever and surprising".[7] In The Theatre, Arthur Hornblow praised the play as "delightful entertainment".[8]
In The Evening World, reviewer Charles Darnton called the Eltinge Theatre the "temple of crook-drama" with Woods as its high priest. He said Marcin had written a well-executed version of a common story, but it was entertainment "of the moment" that served only to pass an evening.[9]
^Bordman, Gerald (1995). American Theatre: A Chronicle of Comedy and Drama, 1914-1930. New York: Oxford University Press. p. 47. ISBN0-19-509078-0.
^Hischak, Thomas S. (2009). Broadway Plays and Musicals: Descriptions and Essential Facts of More Than 14,000 Shows through 2007. Jefferson, North Carolina: McFarland. p. 77. ISBN978-0-7864-3448-0.
^"Theatrical Notes". The New York Times. Vol. 66, no. 21, 616. March 31, 1917. p. 9.
^Parker, John, ed. (1922). Who's Who in the Theatre: A Biographical Record of the Contemporary Stage (4th ed.). Boston: Small, Maynard & Company. p. 448.
^Billips, Connie J. & Pierce, Arthur (1995). Lux Presents Hollywood: A Show-by-show History of the Lux Radio Theatre and the Lux Video Theatre, 1934–1957. Jefferson, North Carolina: McFarland & Company. p. 119. ISBN0-89950-938-X. OCLC30398765.