Charles G. Rosher, A.S.C. (17 November 1885 – 15 January 1974) was an English-born cinematographer who worked from the early days of silent films through the 1950s.
He was Mary Pickford's favourite cinematographer and a personal friend, shooting all of the films in which she starred from 1918 to 1927, before they had a falling-out during production of Coquette (1929).[1][2] He was the first cinematographer to receive an Academy Award, along with Karl Struss, for Sunrise: A Song of Two Humans (1927), and won again for The Yearling (1946), with Leonard Smith and Arthur Arling. He was also nominated four times.
Charles Rosher was born in London in 1885. According to an interview of him in the documentary The Image Makers: The Adventures of America's Pioneer Cinematographers, he was originally unhappily studying naval architecture, but enrolled in London Polytechnic's school of photography, photography being a hobby of his.[3] He eventually became an assistant to Richard Speaight, the official photographer of the British royal family.[1]
After attending a conference in Rochester, New York in 1908, he decided to stay in the United States, as the pay was much better and he did not have to wear a morning coat.[3] He became a newsreel cameraman. In 1910, he went to work for David Horsley in his production company in New Jersey.[1] Because early film was largely restricted to using daylight, Horsley relocated his production company to Hollywood in 1911, taking Rosher with him, and opened the first movie studio there. This made Rosher the first full-time cameraman in Hollywood.[citation needed]
In 1913, Rosher went to Mexico to shoot newsreel footage of Pancho Villa's rebellion.[citation needed] In January 1919, he was one of the 15 founders of the American Society of Cinematographers and served as the group's first vice-president. In the 1920s, he was one of the more sought-after cinematographers in Hollywood, and was a personal favourite of stars such as Mary Pickford, working with her, first on A Little Princess (1917), then on all the films she acted in from How Could You, Jean? (1918) to My Best Girl (1927).[1]
